On Saturday morning the wash tubs were crowded. The women washed dresses, pink ginghams and flowered cottons, and they hung them in the sun and stretched the cloth to smooth it. When afternoon came the whole camp quickened and the people grew excited. The children caught the fever and were more noisy than usual. About mid-afternoon child bathing began, and as each child was caught, subdued, and washed, the noise on the playground gradually subsided. Before five, the children were scrubbed and warned about getting dirty again; and they walked about, stiff in clean clothes, miserable with carefulness.

At the big open-air dance platform a committee was busy. Every bit of electric wire had been requisitioned. The city dump had been visited for wire, every tool box had contributed friction tape. And now the patched, spliced wire was strung out to the dance floor, with bottle necks as insulators. This night the floor would be lighted for the first time. By six o'clock the men were back from work or from looking for work, and a new wave of bathing started. By seven, dinners were over, men had on their best clothes: freshly washed overalls, clean blue shirts, sometimes the decent blacks. The girls were ready in their print dresses, stretched and clean, their hair braided and ribboned. The worried women watched the families and cleaned up the evening dishes. On the platform the string band practiced, surrounded by a double wall of children. The people were intent and excited.

In the tent of Ezra Huston, chairman, the Central Committee of five men went into meeting. Huston, a tall spare man, wind-blackened, with eyes like little blades, spoke to his committee, one man from each sanitary unit.

Huston said, "Will you go out an' find Willie Eaton? He's chairman a the entertainment, ain't he?"

"Yeah."

The tubby little representative from Unit Three spoke up. "I think we oughta squash the hell out of 'em, an' show 'em."

"It's goddamn lucky we got the word they was gonna try to bust up the dance!" he said.

"No," said Huston. "That's what they want. No, sir. If they can git a fight goin', then they can run in the cops an' say we ain't orderly. They tried it before -- other places." He turned to the sad dark boy from Unit Two. "Got the fellas together to go roun' the fences an' see nobody sneaks in?"

The boy went out, and he returned in a moment with a stringy Texas man. Willie Eaton had a long fragile jaw and dust-colored hair. His arms and legs were long and loose, and he had the gray sunburned eyes of the Panhandle. He stood in the tent, grinning, and his hands pivoted restlessly on his wrists.

The sad boy nodded. "Yeah! Twelve. Tol' 'em not to hit nobody. Jes' push 'em out ag'in."

"Well, tell 'im we wanta see 'im."

Huston said, "You heard about tonight?"

Huston stood up. His steel-colored eyes were stern. "Now you look here, Willie. We don't want them fellas hurt. They's gonna be deputies out by the front gate. If you blood 'em up, why -- them deputies'll git you."

"Tell what you done."

"Well, tell 'em so they know."

"Yeah!"

"They know. Got five men out to the gate lookin' over the folks that comes in. Try to spot 'em 'fore they git started."

"Got that there figgered out," said Willie. "Take 'em out the back way, into the fiel'. Some a the boys'll see they git on their way."

Willie grinned. "Yeah!"

"Tell 'em they ain't to hurt the fellas."

"Did anything 'bout it?"

Willie laughed gleefully. "I tol' 'em," he said.

Willie Eaton grinned happily. "Well, sir, ordinary ent'tainment committee is five. I got twenty more -- all good strong boys. They're a-gonna be a-dancin' an' a-keepin' their eyes open an' their ears open. First sign -- any talk or argament, they close in tight. Worked her out purty nice. Can't even see nothing. Kinda move out, an' the fella will go out with 'em."

Huston said, "I dunno. I jes' hope Willie's boys don't kill nobody. What the hell the deputies want to hurt the camp for? Why can't they let us be?"

"Yes, sir."

The sad boy from Unit Two said, "I lived out at Sunlan' Lan' an' Cattle Company's place. Honest to God, they got a cop for ever' ten people. Got one water faucet for 'bout two hundred people."

"No, sir," said Willie. "We won't mark 'em."

"Well, it soun's awright," Huston said worriedly. "But don't you let nothing happen, Willie. You're responsible. Don' you hurt them fellas. Don' you use no stick nor no knife or arn, or nothing like that."

Willie saluted in mockery and went out.

"Awright. An' if she gits outa han', I'll be in the right-han' corner, this way on the dance floor."

"You sure of the fellas you picked?"

"Yes, sir!" said Willie.

The tubby man said, "Jesus, God, Jeremy. You ain't got to tell me. I was there. They got a block of shacks -- thirty-five of 'em in a row, an' fifteen deep. An' they got ten crappers for the whole shebang. An', Christ, you could smell 'em a mile. One of them deputies give me the lowdown. We was settin' aroun', an' he says, 'Them goddamn gov'ment camps,' he says. 'Give people hot water, an' they gonna want hot water. Give 'em flush toilets, an' they gonna want 'em.' He says, 'You give them goddamn Okies stuff like that an' they'll want 'em.' An' he says, 'They hol' red meetin's in them gov'ment camps. All figgerin' how to git on relief,' he says."

Huston was suspicious. "I wisht I knowed I could trus' you, Willie. If you got to sock 'em, sock 'em where they won't bleed."

"'I mean relief -- what us taxpayers puts in an' you goddamn Okies takes out.'

Huston asked, "Didn' nobody sock him?"

"No. They was a little fella, an' he says, 'What you mean, relief?'

"'We pay sales tax an' gas tax an' tobacco tax,' this little guy says. An' he says, 'Farmers get four cents a cotton poun' from the gov'ment -- ain't that relief?' An' he says, 'Railroads an' shippin' companies draws subsidies -- ain't that relief?'

"What'd the deputy say?" Huston asked.

"'Well,' the little guy says, 'how'd your goddamn crops get picked if it wasn't for us?"' The tubby man looked around.

"Well, the deputy got mad. An' he says, 'You goddamn reds is all the time stirrin' up trouble,' he says. 'You better come along with me.' So he takes this little guy in, an' they give him sixty days in jail for vagrancy."

"'They're doin' stuff got to be done,' this deputy says.

The tubby man laughed. "You know better'n that," he said. "You know a vagrant is anybody a cop don't like. An' that's why they hate this here camp. No cops can get in. This here's United States, not California."

"How'd they do that if he had a job?" asked Timothy Wallace.

The tubby man from Unit Three said, "Anybody that thinks this committee got all cheese an' crackers ought to jes' try her. They was a fight in my unit today -- women. Got to callin' names, an' then got to throwin' garbage. Ladies' Committee couldn' handle it, an' they come to me. Want me to bring the fight in this here committee. I tol' 'em they got to handle women trouble theirselves. This here committee ain't gonna mess with no garbage fights."

Huston sighed. "Wisht we could stay here. Got to be goin' 'fore long. I like this here. Folks gits along nice; an', God Awmighty, why can't they let us do it 'stead of keepin' us miserable an' puttin' us in jail? I swear to God they gonna push us into fightin' if they don't quit a-worryin' us." Then he calmed his voice. "We jes' got to keep peaceful," he reminded himself. "The committee got no right to fly off'n the handle."

And now the dusk was falling, and as the darkness deepened the practicing of the string band seemed to grow louder. The lights flashed on and two men inspected the patched wire to the dance floor. The children crowded thickly about the musicians. A boy with a guitar sang the "Down Home Blues," chording delicately for himself, and on his second chorus three harmonicas and a fiddle joined him. From the tents the people streamed toward the platform, men in their clean blue denim and women in their ginghams. They came near to the platform and then stood quietly waiting, their faces bright and intent under the light.

Huston nodded. "You done good," he said.

Around the reservation there was a high wire fence, and along the fence, at intervals of fifty feet, the guards sat in the grass and waited.

The string band took a reel tune up and played loudly, for they were not practicing any more. In front of their tents the Jesus-lovers sat and watched, their faces hard and contemptuous. They did not speak to one another, they watched for sin, and their faces condemned the whole proceeding.

At the Joad tent Ruthie and Winfield had bolted what little dinner they had, and then they started for the platform. Ma called them back, held up their faces with a hand under each chin, and looked into their nostrils, pulled their ears and looked inside, and sent them to the sanitary unit to wash their hands once more. They dodged around the back of the building and bolted for the platform, to stand among the children, close-packed about the band.

Now the cars of the guests began to arrive, small farmers and their families, migrants from other camps. And as each guest came through the gate he mentioned the name of the camper who had invited him.

The girl looked away and did not answer.

"Gonna dance tonight?" he asked.

The girl raised her eyes shyly, and she said, "That ain't nothin'-- anybody can waltz."

"Can't a fella pass a word with you? How 'bout you an' me dancin'?" And he said nonchalantly, "I can waltz."

"Not like me," said Al. The music surged, and he tapped one foot in time. "Come on," he said.

Al finished his dinner and spent half an hour shaving with Tom's razor. Al had a tight-fitting wool suit and a striped shirt, and he bathed and washed and combed his straight hair back. And when the washroom was vacant for a moment, he smiled engagingly at himself in the mirror, and he turned and tried to see himself in profile when he smiled. He slipped his purple arm-bands on and put on his tight coat. And he rubbed up his yellow shoes with a piece of toilet paper. A late bather came in, and Al hurried out and walked recklessly toward the platform, his eye peeled for girls. Near the dance floor he saw a pretty blond girl sitting in front of a tent. He sidled near and threw open his coat to show his shirt.

Pa put down his plate and stood up. "Come on, John," he said; and he explained to Ma, "We're a-gonna talk to some fellas about gettin' work." And Pa and Uncle John walked toward the manager's house.

Al winked rakishly at the girl, and he tripped on, striking his feet to the music and swaying his shoulders and swinging his arms. And the girl looked after him intently.

Rose of Sharon turned to put the dish away. Tom pointed at her. "My God, she's a-gettin' big," he said.

Tom worked a piece of store bread into the stew gravy on his plate and ate the bread. He handed his plate to Ma, and she put it in the bucket of hot water and washed it and handed it to Rose of Sharon to wipe. "Ain't you goin' to the dance?" Ma asked.

A very fat woman poked her head out of the tent and scowled at him. "You git along," she said fiercely. "This here girl's spoke for. She's a-gonna be married, an' her man's a-comin' for her."

"Sure," said Tom. "I'm on a committee. We're gonna entertain some fellas."

"Already on a committee?" Ma said. "I guess it's 'cause you got work."

Rose of Sharon blushed and took another dish from Ma. "Sure she is," Ma said.

The girl blushed more deeply and hung her head. "You stop it," she said, softly.

"Don't worry her," Ma said. "She ain't got no easy row to hoe."

"Yeah."

"Now you stop," Rose of Sharon said, and she went inside the tent, out of sight.

"I know she likes it, but it worries her, too. And she's a-mournin' for Connie."

"She likes it," said Tom.

Ma chuckled, "You shouldn' ought to worry her."

"An' she's gettin' prettier," said Tom.

"Well, she might's well give him up. He's prob'ly studyin' to be President of the United States by now."

Willie Eaton moved near, and he grinned and said, "You Tom Joad?"

Tom laughed. "If she keeps a-swellin' like this, she gonna need a wheelbarra to carry it."

"'Course she is," said Ma. "Girl with a baby always gets prettier."

"Well, I'm Chairman the Entertainment Committee. We gonna need you. Fella tol' me 'bout you."

"Howdy," said Willie.

"Sure, I'll play with you," said Tom. "This here's Ma."

"No, ma'am," Willie said. "They ain't gonna be no trouble."

The girl stepped from the tent, and she went on with the dish-wiping.

"None at all," said Tom. "Well, I'll come 'long. See you at the dance, Ma." The two young men walked quickly away toward the main gate.

"I was -- but I don' know. I wisht Connie was here." Her voice rose. "Ma, I wisht he was here. I can't hardly stan' it."

Ma piled the washed dishes on a box. "Come on out," she called, and when there was no answer, "Rosasharn, you come out."

Ma said apprehensively, "They ain't no trouble?"

"Yeah! I can do that awright," said Tom.

"Tom was on'y jollyin' ya."

"Ain't no way to he'p that. Folks gonna look. But it makes folks happy to see a girl in a fambly way -- makes folks sort of giggly an' happy. Ain't you a-goin' to the dance?"

"I know. I didn't mind; on'y I hate to have folks look at me."

Willie said, "Gonna put you on the gate to start, an' then on the floor. Want ya to look over the guys when they come in, an' try to spot 'em. You'll be with another fella. Then later I want ya to dance an' watch."

"Glad to meet ya."

"I don' aim to, Ma."

Ma looked closely at her. "I know," she said. "But, Rosasharn -- don' shame your folks."

"Well, don't you shame us. We got too much on us now, without no shame."

Ma wiped her hands on the dish towel and she squatted down in front of her daughter, and she put her two hands on Rose of Sharon's hair. "You're a good girl," she said. "You always was a good girl. I'll take care a you. Don't you fret." She put an interest in her tone. "Know what you an' me's gonna do? We're a-goin' to that dance, an' we're a-gonna set there an' watch. If anybody says to come dance -- why, I'll say you ain't strong enough. I'll say you're poorly. An' you can hear the music an' all like that."

The girl's lip quivered. "I -- I ain' goin' to the dance. I couldn'-- Ma -- he'p me!" She sat down and buried her head in her arms.

Rose of Sharon raised her head. "You won't let me dance?"

"No, I won't."

"An' don' let nobody touch me."

"No, I won't."

The girl sighed. She said desperately, "I don' know what I'm a-gonna do, Ma. I jus' don' know. I don' know."

Pa and Uncle John squatted with a group of men by the porch of the office. "We nearly got work today," Pa said. "We was jus' a few minutes late. They awready got two fellas. An', well, sir, it was a funny thing. They's a straw boss there, an' he says, 'We jus' got some two-bit men. 'Course we could use twenty-cent men. We can use a lot a twenty-cent men. You go to your camp an' say we'll put a lot a fellas on for twenty cents."'

Ma patted her knee. "Look," she said. "Look here at me. I'm a-gonna tell ya. In a little while it ain't gonna be so bad. In a little while. An' that's true. Now come on. We'll go get washed up, an' we'll put on our nice dress an' we'll set by the dance." She led Rose of Sharon toward the sanitary unit.

The squatting men moved nervously. A broad-shouldered man, his face completely in the shadow of a black hat, spatted his knee with his palm. "I know it, goddamn it!" he cried. "An' they'll git men. They'll git hungry men. You can't feed your fam'ly on twenty cents an hour, but you'll take anything. They got you goin' an' comin'. They jes' auction a job off. Jesus Christ, pretty soon they're gonna make us pay to work."

"Our kids ain't happy in them schools," Black Hat said.

"Well, a raggedy kid with no shoes, an' them other kids with socks on, an' nice pants, an' them a-yellin''Okie.' My boy went to school. Had a fight evr' day. Done good, too. Tough little bastard. Ever' day he got to fight. Come home with his clothes tore an' his nose bloody. An' his ma'd whale him. Made her stop that. No need ever'body beatin' the hell outa him, poor little fella. Jesus! He give some a them kids a goin'-over, though -- them nice-pants sons-a-bitches. I dunno. I dunno."

Black Hat said, "Get crazy thinkin'! I been workin' for a fella, an' he can't pick his crop. Cost more jes' to pick her than he can git for her, an' he don' know what to do."

"Why not? They're pretty nice, them schools."

"We would of took her," Pa said. "We ain't had no job. We sure would a took her, but they was them guys in there, an' the way they looked, we was scairt to take her."

"Seems to me --" Pa stopped. The circle was silent for him. "Well -- I jus' thought, if a fella had a acre. Well, my woman she could raise a little truck an' a couple pigs an' some chickens. An' us men could get out an' find work, an' then go back. Kids could maybe go to school. Never seen sech schools as out here."

"Well, what the hell can I do?" Pa demanded. "I can't starve so's you can get two bits."

Black Hat raised his head, and his bristled chin showed in the light, and his stringy neck where the whiskers lay flat like fur. "Yeah!" he said bitterly. "You'll do that. An' I'm a two-bit man. You'll take my job for twenty cents. An' then I'll git hungry an' I'll take my job back for fifteen. Yeah! You go right on an' do her."

Black Hat dipped his head again, and his chin went into the shadow. "I dunno," he said. "I jes' dunno. It's bad enough to work twelve hours a day an' come out jes' a little bit hungry, but we got to figure all a time, too. My kid ain't gettin' enough to eat. I can't think all the time, goddamn it! It drives a man crazy." The circle of men shifted their feet nervously.

Pa demanded, "Well, what the hell am I gonna do? We're outa money. One of my boys got a short job, but that won't feed us. I'm a-gonna go an' take twenty cents. I got to."

Tom stood at the gate and watched the people coming in to the dance. A floodlight shone down into their faces. Willie Eaton said, "Jes' keep your eyes open. I'm sendin' Jule Vitela over. He's half Cherokee. Nice fella. Keep your eyes open. An' see if you can pick out the ones."

"I'm with you," he said.

"O. K.," said Tom. He watched the farm families come in, the girls with braided hair and the boys polished for the dance. Jule came and stood beside him.

Tom looked at the hawk nose and the high brown cheek bones and the slender receding chin. "They says you're half Injun. You look all Injun to me."

The guests were moving in through the gateway, families from the farms, migrants from the ditch camps. Children straining to be free and quiet parents holding them back.

"Look a them people," Tom said.

Jule said, "These here dances done funny things. Our people got nothing, but jes' because they can ast their frien's to come here to the dance, sets 'em up an' makes 'em proud. An' the folks respects 'em 'count of these here dances. Fella got a little place where I was a-workin'. He come to a dance here. I ast him myself, an' he come. Says we got the only decent dance in the county, where a man can take his girls an' his wife. Hey! Look."

"No," said Jule. "Jes' half. Wisht I was a full-blood. I'd have my lan' on the reservation. Them full-bloods got it pretty nice, some of 'em."

"I dunno how. Jes' got a feelin'. They're kinda scared. Foller 'em an' tell Willie to look 'em over, an' tell Willie to check with Jackson, Unit Four. Get him to see if they're all right. I'll stay here."

"What cha want?" Willie asked.

Tom strolled after the three young men. They moved toward the dance floor and took their positions quietly on the edge of the crowd. Tom saw Willie near the band and signaled him.

Jule came back to Tom. "I think them's our fellas."

"Look at 'em careful," Jule said. He moved to the guard. "Who ast them three?" he asked.

Three young men were coming through the gate -- young working men in jeans. They walked close together. The guard at the gate questioned them, and they answered and passed through.

"Yeah."

"How ya know?"

"Them three -- see -- there?"

Willie craned his neck and saw Huston and called him over. "Them three fellas," he said. "We better get Jackson, Unit Four, an' see if he ast 'em."

"They say a fella name' Jackson, Unit Four, ast 'em."

"Fella named Jackson, Unit Four."

"Awright," Huston said. "Don't you go near 'em. We ain't gonna th'ow 'em out if they're nice. Thanks, Mr. Jackson."

"Sure. I worked right beside 'em."

"So they knowed your name."

"Good work," he said to Tom. "I guess them's the fellas."

Huston's eyes grew hard and cruel. "Willie," he said, "you sure you got ever'thing ready?"

"Yeah."

"Ever see 'em before?"

Jackson peered at them. "Sure. Worked at Gregorio's with 'em."

"Well, did you ast 'em?"

"No."

"Hell, no wonder," said Willie. "His Injun blood smelled 'em. Well, I'll point 'em out to the boys."

A sixteen-year-old boy came running through the crowd. He stopped, panting, in front of Huston. "Mista Huston," he said. "I been like you said. They's a car with six men parked down by the euc'lyptus trees, an' they's one with four men up that north-side road. I ast 'em for a match. They got guns. I seen 'em."

"Jule picked 'em out," said Tom.

Huston turned on his heel and walked away; and in a few moments he was back with a lean and bony Kansan. "This here's Jackson," Huston said. "Look, Jackson, see them three young fellas --?"

Willie grinned happily. "Sure have, Mr. Huston. Ain't gonna be no trouble."

"I'll see what we kin do," said Willie.

Ma and Rose of Sharon sat on a bench and watched. And as each boy asked Rose of Sharon as partner, Ma said, "No, she ain't well." And Rose of Sharon blushed and her eyes were bright.

Dancing had not formally started, but now Willie climbed onto the platform. "Choose up your squares," he called. The music stopped. Boys and girls, young men and women, ran about until eight squares were ready on the big floor, ready and waiting. The girls held their hands in front of them and squirmed their fingers. The boys tapped their feet restlessly. Around the floor the old folks sat, smiling slightly, holding the children back from the floor. And in the distance the Jesus-lovers sat with hard condemning faces and watched the sin.

"Well, don't hurt 'em. 'Member now. If you kin, quiet an' nice, I kinda like to see 'em. Be in my tent."

The caller stepped to the middle of the floor and held up his hands. "All ready? Then let her go!"

Ma leaned her head close to Rose of Sharon's ear. "Maybe you wouldn' think it, but your Pa was as nice a dancer as I ever seen, when he was young." And Ma smiled. "Makes me think of ol' times," she said. And on the faces of the watchers the smiles were of old times.

"Swing your ladies an' a dol ce do. Join han's roun' an' away we go." The music rose and fell, and the moving shoes beating in time on the platform sounded like drums. "Swing to the right an' a swing to lef'; break, now -- break -- back to -- back," the caller sang the high vibrant monotone. Now the girls' hair lost the careful combing. Now perspiration stood out on the foreheads of the boys. Now the experts showed the tricky inter-steps. And the old people on the edge of the floor took up the rhythm, patted their hands softly, and tapped their feet; and they smiled gently and then caught one another's eyes and nodded.

The music snarled out "Chicken Reel," shrill and clear, fiddle skirling, harmonicas nasal and sharp, and the guitars booming on the bass strings. The caller named the turns, the squares moved. And they danced forward and back, hands 'round, swing your lady. The caller, in a frenzy, tapped his feet, strutted back and forth, went through the figures as he called them.

"Up near Muskogee twenty years ago, they was a blin' man with a fiddle --"

"I seen a fella oncet could slap his heels four times in one jump."

"Swedes up in Dakota -- know what they do sometimes? Put pepper on the floor. Gits up the ladies' skirts an' makes 'em purty lively -- lively as a filly in season. Swedes do that sometimes."

In the distance, the Jesus-lovers watched their restive children. "Look on sin," they said. "Them folks is ridin' to hell on a poker. It's a shame the godly got to see it." And their children were silent and nervous.

"One more roun' an' then a little res'," the caller chanted. "Hit her hard, 'cause we're gonna stop soon." And the girls were damp and flushed, and they danced with open mouths and serious reverent faces, and the boys flung back their long hair and pranced, pointed their toes, and clicked their heels. In and out the squares moved, crossing, backing, whirling, and the music shrilled.

Then suddenly it stopped. The dancers stood still, panting with fatigue. And the children broke from restraint, dashed on the floor, chased one another madly, ran, slid, stole caps, and pulled hair. The dancers sat down, fanning themselves with their hands. The members of the band got up and stretched themselves and sat down again. And the guitar players worked softly over their strings.

A touring car drove to the entrance. The driver called, "Open up. We hear you got a riot."

A blond boy looked up in astonishment. "She's my partner."

Now Willie called, "Choose again for another square, if you can." The dancers scrambled to their feet and new dancers plunged forward for partners. Tom stood near the three young men. He saw them force their way through, out on the floor, toward one of the forming squares. He waved his hand at Willie, and Willie spoke to the fiddler. The fiddler squawked his bow across the strings. Twenty young men lounged slowly across the floor. The three reached the square. And one of them said, "I'll dance with this here."

Off in the darkness a shrill whistle sounded. The three were walled in now. And each one felt the grip of hands. And then the wall of men moved slowly off the platform.

"Listen, you little son-of-a-bitch --"

The guard kept his position. "We got no riot. Listen to that music. Who are you?"

Willie yelped, "Le's go!" The music shrilled out, the caller intoned the figures, the feet thudded on the platform.

"We don't need a warrant if there's a riot."

"Let's look at 'em." The prisoners were swung around to face him. Their heads were down. Huston put a flashlight beam in each sullen face. "What did you wanta do it for?" he asked. There was no answer. "Who the hell tol' you to do it?"

"Sure," said Jule. "Went right up an' started it. But they didn' even swing once."

Tom said, "That sure was did nice." He held both arms of his victim from behind.

The men in the car listened to the music and the sound of the caller, and then the car pulled slowly away and parked in a crossroad and waited.

"Got a warrant?"

Huston himself emerged from the darkness. "These the ones?"

"Goddarn it, we didn' do nothing. We was jes' gonna dance."

In the moving squad each of the three young men was pinioned, and a hand was over each mouth. When they reached the darkness the group opened up.

Willie ran over to them from the dance floor. "Nice work," he said. "On'y need six now. Huston wants to see these here fellers."

"Deputy sheriffs."

"Well, we got no riots here," said the gate guard.

Tom said, "Mr. Huston, jus' when these here fellas moved in, somebody give a whistle."

"No, you wasn't," Jule said. "You was gonna sock that kid."

"Yeah, I know! The cops come right to the gate." He turned back. "We ain't gonna hurt you. Now who tol' you to come bus' up our dance?" He waited for a reply. "You're our own folks," Huston said sadly. "You belong with us. How'd you happen to come? We know all about it," he added.

"Well, goddamn it, a fella got to eat."

"An' you ain't gonna be. No fight, no pay. Ain't that right?"

"Well, who sent you? Who paid you to come?"

"We ain't been paid."

"Awright, boys, put 'em over the back fence. An' don't hurt 'em. They don't know what they're doin'."

One of the pinioned men said, "Do what you want. We ain't gonna tell nothing."

Huston's head sank down for a moment, and then he said softly, "O. K. Don't tell. But looka here. Don't knife your own folks. We're tryin' to get along, havin' fun an' keepin' order. Don't tear all that down. Jes' think about it. You're jes' harmin' yourself.

Jule said, "Le's jes' take one good kick at 'em."

The squad moved slowly toward the rear of the camp, and Huston looked after them.

"Jes' one nice little kick," Jule pleaded. "Jes' loft 'em over the fence."

"No, sir," Willie insisted.

They neared the fence. Two of the seated guards stood up and moved over. "Got some fellas goin' home early," said Willie. The three men climbed over the fence and disappeared into the darkness.

And the squad moved quickly back toward the dance floor. And the music of "Ol' Dan Tucker" skirled and whined from the string band.

Over near the office the men still squatted and talked, and the shrill music came to them.

"No, you don't!" Willie cried. "I said we wouldn'."

"Listen, you," he said, "we're lettin' you off this time. But you take back the word. If 'n ever this here happens again, we'll jes' natcherally kick the hell outa whoever comes; we'll bust ever' bone in their body. Now you tell your boys that. Huston says you're our kinda folks -- maybe. I'd hate to think it."

And Black Hat lifted his head up again, and the light fell on his bristly whiskers. He gathered some little rocks from the ground and shot them like marbles, with his thumb. "I don' know. She's a-comin' awright, like you say. Fella tol' me what happened in Akron, Ohio. Rubber companies. They got mountain people in 'cause they'd work cheap. An' these here mountain people up an' joined the union. Well, sir, hell jes' popped. All them storekeepers and legioners an' people like that, they get drillin' an' yellin', 'Red!' An' they're gonna run the union right outa Akron. Preachers git a-preachin' about it, an' papers a-yowlin', an' they's pick handles put out by the rubber companies, an' they're a-buyin' gas. Jesus, you'd think them mountain boys was reg'lar devils!" He stopped and found some more rocks to shoot. "Well, sir -- it was las' March, an' one Sunday five thousan' of them mountain men had a turkey shoot outside a town. Five thousan' of 'em jes' marched through town with their rifles. An' they had their turkey shoot, an' then they marched back. An' that's all they done. Well, sir, they ain't been no trouble sence then. These here citizens committees give back the pick handles, an' the storekeepers keep their stores, an' nobody been clubbed nor tarred an' feathered, an' nobody been killed." There was a long silence, and then Black Hat said, "They're gettin' purty mean out here. Burned that camp an' beat up folks. I been thinkin'. All our folks got guns. I been thinkin' maybe we ought to git up a turkey shootin' club an' have meetin's ever' Sunday."

Pa said, "They's change a-comin'. I don' know what. Maybe we won't live to see her. But she's a-comin'. They's a res'less feelin'. Fella can't figger nothin' out, he's so nervous."

The men looked up at him, and then down at the ground, and their feet moved restlessly and they shifted their weight from one leg to the other.