It was the winter, and the sullen dying autumn that he hated most at Dixieland -- the dim fly-specked lights, the wretched progress about the house in search of warmth, Eliza untidily wrapped in an old sweater, a dirty muffler, a cast-off man's coat. She glycerined her cold-cracked hands. The chill walls festered with damp: they drank in death from the atmosphere: a woman died of typhoid, her husband came quickly out into the hall and dropped his hands. They were Ohio people.

Upstairs, upon a sleeping porch, a thin-faced Jew coughed through the interminable dark.

"Why, no-o," said Eliza, pursing her lips. "He said he only had a little bronchial trouble. I asked him about it, and he laughed just as big as you please: 'Why, Mrs. Gant,' he said --" and there would follow an endless anecdote, embellished with many a winding rivulet. The girl raged: it was one of Eliza's basic traits to defend blindly whatever brought her money.

"In heaven's name, mama," Helen fumed, "why do you take them in? Can't you see he's got the bugs?"

He liked the summers better. There came slow-bodied women from the hot rich South, dark-haired white-bodied girls from New Orleans, corn-haired blondes from Georgia, nigger-drawling desire from South Carolina. And there was malarial lassitude, tinged faintly with yellow, from Mississippi but with white biting teeth. A red-faced South Carolinian, with nicotined fingers, took him daily to the baseball games; a lank yellow planter, malarial from Mississippi, climbed hill, and wandered through the fragrant mountain valleys with him; of nights he heard the rich laughter of the women, tender and cruel, upon the dark porches, heard the florid throat-tones of the men; saw the yielding stealthy harlotry of the South -- the dark seclusion of their midnight bodies, their morning innocence. Desire, with bloody beak, tore at his heart like jealous virtue: he was moral for that which was denied him.

The Jew was a kind man. He coughed gently behind his white hand and ate bread fried in battered egg and butter. Eugene developed a keen appetite for it: innocently he called it "Jew Bread" and asked for more. Lichenfels laughed gently, coughed -- his wife was full of swart rich laughter. The boy did small services for him: he gave him a coin from week to week. He was a clothier from a New Jersey town. In the Spring he went to a sanitarium; he died there later.

In the winter a few chill boarders, those faces, those personalities which become mediocre through repetition, sat for hours before the coals of the parlor hearth, rocking interminably, dull of voice and gesture, as hideously bored with themselves and Dixieland, no doubt, as he with them.

His trust in her Gantian wealth was boundless: this rich store of delight came from inexhaustible resources. Warm lively hens cackled cheerfully throughout the morning neighborhood; powerful negroes brought dripping ice in iron talons from their smoking wagons; he stood beneath their droning saws and caught the flying ice-pulp in his hands; he drank in the combined odor of their great bodies together with the rich compost of the refrigeration, and the sharp oiliness of the dining-room linoleum; and in the horsehair walnut parlor at mid-day, good with the mellow piano-smell and the smell of stale varnished wood, she played for him, and made him sing: "William Tell," "My Heart at Thy Sweet Voice," "The Song Without Words," "Celeste Aïda," "The Lost Chord," her long throat lean and tendoned as her vibrant voice rang out.

Of mornings he stayed at Gant's with Helen playing ball with Buster Isaacs, a cousin of Max, a plump jolly little boy who lived next door; summoned later by the rich incense of Helen's boiling fudge. She sent him to the little Jewish grocery down the street for the sour relishes she liked so well: tabled in mid-morning they ate sour pickles, heavy slabs of ripe tomatoes, coated with thick mayonnaise, amber percolated coffee, fig-newtons and ladyfingers, hot pungent fudge pebbled with walnuts and coated fragrantly with butter, sandwiches of tender bacon and cucumber, iced belchy soft-drinks.

She took insatiable delight in him, stuffing him with sour and sugared relishes, tumbling him, in a random moment of her restless activity, upon Gant's lounge, and pinioning him while she slapped his squirming face sharply with her big hand.

Sometimes, frantic with some swift tangle of her nerves, she would attack him viciously, hating him for his dark brooding face, his full scalloped underlip, his deep absorption in a dream. Like Luke, and like Gant, she sought in the world ceaseless entertainment for her restless biting vitality; it infuriated her to see other people seek absorption within themselves -- she hated him at times when, her own wires strumming, she saw his dark face brooding over a book or on some vision. She would tear the book from his hands, slap him, and stab him with her cruel savage tongue. She would pout out her lip, goggle her face about stupidly on a drooping neck, assume an expression of dopey idiocy, and pour out on him the horrible torrent of her venom.

"You little freak -- wandering around with your queer dopey face. You're a regular little Pentland -- you funny little freak, you. Everybody's laughing at you. Don't you know that? Don't you? We're going to dress you up as a girl, and let you go around like that. You haven't got a drop of Gant blood in you -- papa's practically said as much -- you're Greeley all over again; you're queer. Pentland queerness sticking out all over you."

This satisfied her desire; it was what deeply she had wanted -- she had found purging release in her savage attack upon him, and now she could drain herself cleanly in a wild smother of affection. She would seize him, struggling and screaming, in her long arms, plaster kisses all over his red mad face, soothing him with hearty flattery addressed in the third person:

He did not mind the physical assault so much as he did the poisonous hatred of her tongue, insanely clever in fashioning the most wounding barbs. He went frantic with horror, jerked unexpectedly from Elfland into Hell, he bellowed madly, saw his bountiful angel change in a moment to a snake-haired fury, lost all his sublime faith in love and goodness. He rushed at the wall like an insane little goat, battered his head screaming again and again, wished desperately that his constricted and overloaded heart would burst, that something in him would break, that somehow, bloodily, he might escape the stifling prisonhouse of his life.

Sometimes her sweltering and inchoate fury was so great that she threw him on the floor and stamped on him.

Presently, when he had grown quiet, she would send him off to the store for pickles, cakes, cold bottled drinks; he would depart with red eyes, his cheeks furrowed dirtily by his tears, wondering desperately as he went down the street why the thing had happened, and drawing his foot sharply off the ground and craning his neck convulsively as shame burnt in him.

"Why, he didn't think I meant it, did he? Didn't he know I was only joking? Why, he's strong as a little bull, isn't he? He's a regular little giant, that's what he is. Why, he's perfectly wild, isn't he? His eyes popping out of his head. I thought he was going to knock a hole in the wall. -- Yes, ma'am. Why, law me, yes, child. It's GOOD soup," resorting to her broad mimicry in order to make him laugh. And he would laugh against his will between his sobs, in a greater torture because of this agony of affection and reconciliation than because of the abuse.

There was in Helen a restless hatred of dullness, respectability. Yet she was at heart a severely conventional person, in spite of her occasional vulgarity, which was merely a manifestation of her restless energy, a very naïve, a childishly innocent person about even the simple wickedness of the village. She had several devoted young men on her list -- plain, hard-drinking country types: one, a native, lean, red-faced, alcoholic, a city surveyor, who adored her; another, a strapping florid blond from the Tennessee coal fields; another, a young South Carolinian, townsman of her older sister's fiancé.

And she would get Jim Phelps and Hugh Parker to bring her a drink of whisky as well: she had begun to depend on small potations of alcohol for the stimulus it gave her fevered body -- a small drink was enough to operate electrically in her blood: it renewed her, energized her, gave her a temporary and hectic vitality. Thus, although she never drank much at a time and showed, beyond the renewed vitality and gaiety, no sign of intoxication, she nibbled at the bottle.

She liked, almost invariably, young fast women. She liked the hectic pleasure of their lives, the sense of danger, their humor and liberality. She was drawn magnetically to all the wedded harlotry, which, escaping the Sunday discipline of a Southern village, and the Saturday lust of sodden husbands, came gaily to Altamont in summer. She liked people who, as she said, "didn't mind taking a little drink now and then."

These young men -- Hugh Parker, Jim Phelps, and Joe Cathcart, were innocently devoted; they liked her tireless and dominant energy, the eager monopoly of her tongue, her big sincerity and deep kindliness. She played and sang for them -- threw all her energy into entertaining them. They brought her boxes of candy, little presents, were divided jealously among themselves, but united in their affirmation that she was "a fine girl."

"I'll take a drink whenever I can get it," she said.

"There are two things I want to see," said Mary, "a rooster's you-know-what and a hen's what-is-it." She was full of loud compelling laughter. She had a small room with a sleeping porch, at the front of the house upstairs. Eugene brought her some cigarettes once: she stood before the window in a thin petticoat, her feet wide apart, her long sensual legs outlined against the light.

Helen wore her dresses, hats, and silk stockings. Sometimes they drank together. And, with humorous sentimentality, she defended her.

She liked Mary Thomas, a tall jolly young prostitute who came from Kentucky: she was a manicurist in an Altamont Hotel.

"Well, she's no hypocrite. That's one thing sure. She doesn't care who knows it."

Or again, irritated at some implied criticism of her own friendliness with the girl, she would say angrily:

Or, "She's no worse than a lot of your little goody-goodies, if the truth's known. She's only more open about it."

"What do you know about her? You'd better be careful how you talk about people. You'll get into trouble about it some day."

"Why do you keep such people in your house, mama? Every one in town knows about her. Your place is getting the reputation of a regular chippyhouse all over town."

Eliza pursed her lips angrily:

Nevertheless, she was scrupulous in her public avoidance of the girl and, illogically, in a moment of unreasoning annoyance she would attack Eliza:

"I don't pay any attention to them," she said. "I consider myself as good as any one. I hold my head up, and I expect every one else to do likewise. You don't catch me associating with them."

Helen had drifted apart from most of her friends of high school days -- the hard-working plain-faced Genevieve Pratt, daughter of a schoolmaster, "Teeney" Duncan, Gertrude Brown. Her companions now were livelier, if somewhat more vulgar, young women -- Grace Deshaye, a plumber's daughter, an opulent blonde; Pearl Hines, daughter of a Baptist saddlemaker: she was heavy of body and face, but she had a powerful rag-time singing voice.

It was part of her protective mechanism. She pretended to be proudly oblivious to any disagreeable circumstance which brought her in money. As a result, by that curious impalpable advertisement which exists among easy women, Dixieland became known to them -- they floated casually in-the semi-public, clandestine prostitutes of a tourist town.

Her closest companion, however, was a girl whose name was Nan Gudger: she was a brisk, slender, vital girl, with a waist so tightly corsetted that a man's hands might go around it. She was the trusted, accurate, infallible bookkeeper of a grocery store. She contributed largely to the support of her family -- a mother whom Eugene looked upon with sick flesh, because of the heavy goitre that sagged from her loose neck; a crippled sister who moved about the house by means of crutches and the propulsive strength of her powerful shoulders; and two brothers, hulking young thugs of twenty and eighteen years, who always bore upon their charmed bodies fresh knife-wounds, blue lumps and swellings, and other marks of their fights in poolroom and brothel. They lived in a two-story shack of rickety lumber on Clingman Street: the women worked uncomplainingly in the support of the young men. Eugene went here with Helen often: she liked the vulgarity, the humor, the excitement of their lives -- and it amused her particularly to listen to Mary's obscene earthy conversation.

"Why, hell yes, honey," said Mary, grinning her coarse drawl, taking her snuff-stick out of the brown corner of her mouth, and holding it in her strong hand. "We always give the boys money fer a woman once a month."

"Oh, NO! You're joking," Helen said, laughing.

"Good God, child, don't you know THAT?" said Mary, spitting inaccurately at the fire. "Hit's good for their health. They'd git sick if we didn't."

Upon the first of every month, Nan and Mary gave to the boys a portion of their earnings, for pocket money and for their monthly visit to the women of Eagle Crescent.

"Oh, SURELY not, Mary? Good heavens!" said Helen with eager unbelief.

Eugene began to slide helplessly toward the floor. He got an instant panorama of the whole astonishing picture of humor and solemn superstition -- the women contributing their money, in the interests of sanitation and health, to the debauches of the two grinning hairy nicotined young louts.

"What're you laughin' at, son?" said Mary, gooching him roughly in the ribs, as he lay panting and prostrate. "You ain't hardly out of didies yet."

When Mrs. Selborne first came to Dixieland from the hot South she was only twenty-three but she looked older. Ripeness with her was all: she was a tall heavy-bodied blonde, well kept and elegant. She moved leisurely with a luxurious sensual swing of the body: her smile was tender and full of vague allurement, her voice gentle, her sudden laughter, bubbling out of midnight secrecy, rich and full. She was one of several handsome and bacchic daughters of a depleted South Carolinian of good family; she had married at sixteen a red heavy man who came and went from her incomparable table, eating rapidly and heartily, muttering, when pressed, a few shy-sullen words, and departing to the closed leather-and-horse smell of his little office in the livery-stable he owned. She had two children by him, both girls: she moved with wasted stealth around all the quiet slander of a South Carolina mill-town, committing adultery carefully with a mill owner, a banker, and a lumber man, walking circumspectly with her tender blonde smile by day past all the sly smiles of town and trade, knowing that the earth was mined below her feet, and that her name, with clerk and merchant, was a sign for secret laughter. The natives, the men in particular, treated her with even more elaborate respect than a woman is usually given in a Southern town, but their eyes, behind the courteous unctions of their masks, were shiny with invitation.

She had all the savage passion of a mountaineer: crippled, she lived in the coarse heat of her brothers' lust. They were crude, kindly, ignorant, and murderous people. Nan was scrupulously respectable and well-mannered: she had thick negroid lips that turned outward, and hearty tropical laughter. She replaced the disreputable furniture of the house by new shiny Grand Rapids chairs and tables. There was a varnished bookcase, forever locked, stored with stiff sets of unread books -- The Harvard Classics, and a cheap encyclopædia.

Eugene felt when he first saw her, and knew about her, that she would never be caught and always known. His love for her was desperate. She was the living symbol of his desire -- the dim vast figure of love and maternity, ageless and autumnal, waiting, corn-haired, deep-breasted, blonde of limb, in the ripe fields of harvest -- Demeter, Helen, the ripe exhaustless and renewing energy, the cradling nurse of weariness and disenchantment. Below the thrust of Spring, the sharp knife, the voices of the young girls in the darkness, the sharp inchoate expectancies of youth, his deep desire burned inextinguishably: something turned him always to the older women.

When Mrs. Selborne first came to Dixieland her oldest child was seven years old, her youngest five. She received a small check from her husband every week, and a substantial one from the lumber man. She brought a negro girl with her: she was lavish in her dispensations to the negress, and to her children: this wastefulness, ease of living, and her rich seductive laughter fascinated Helen, drew her to the older woman.

Steve returned from New Orleans after a year of vagabondage. The old preposterous swagger, following the ancient whine, reappeared as soon as he felt himself safely established at home again.

In the morning, he breathed the seminal odor of her fresh bathed body as she passed him, gazed desperately into the tender sensuality of her face and, with a sense of unreality, wondered what change darkness wrought in this untelling face.

And, at night, as Eugene listened to the low sweet voice of the woman, heard the rich sensual burst of her laughter, as she sat in the dark porch with a commercial traveller or some merchant in the town, his blood grew bitter with the morality of jealousy: he withered with his hurt, thought of her little sleeping children, and, with a passionate sense of fraternity, of her gulled husband. He dreamed of himself as the redemptive hero, saving her in an hour of great danger, making her penitent with grave reproof, accepting purely the love she offered.

"Stevie doesn't have to work," said he. "He's smart enough to make the others work for him." This was his defiance to his record of petty forgeries against Gant: he saw himself as a clever swindler although he had never had courage to swindle any one except his father. People were reading the Get-Rich-Quick Wallingford stories: there was an immense admiration for this romantic criminal.

Steve was now a young man in the first twenties. He was somewhat above the middle height, bumpy of face and sallow of skin, with a light pleasing tenor voice. Eugene had a feeling of disgust and horror whenever his oldest brother returned: he knew that those who were physically least able to defend themselves, which included Eliza and himself, would bear the brunt of his whining, petty bullying, and drunken obscenity. He did not mind the physical abuse so much as he did its cowardly stealth, weakness, and slobbering reconciliations.

"What are you standing there for?" screamed Big Brother at length, looking up in an agony of petulance. He struck sharply at the boy's shin with a heavy wrench he held in his hand, knocking him to the ground, and crippling him for the moment. Immediately, he was palsied, not with remorse, but with fear that he had injured him badly and would be discovered.

Once, Gant, making one of his sporadic efforts to get his son fixed in employment, had sent him out to a country graveyard to put up a small monument. Eugene was sent along. Steve worked steadily in the hot sun for an hour, growing more and more irritable because of the heat, the rank weedy stench of the graveyard, and his own deep antipathy to work. Eugene waited intensely for the attack he knew was coming.

There still remained, however, in the cast and carriage of his head, in his swagger walk, the ghost of his ruined boyishness: women were sometimes attracted to him. It was his fortune, therefore, to secure Mrs. Selborne for his mistress the first summer she came to Dixieland. At night her rich laughter welled up from the dark porch, they walked through the quiet leafy streets, they went to Riverside together, walking beyond the lights of the carnival into the dark sandy paths by the river.

"You're not hurt, are you, buddy? You're not hurt?" he began in a quivering voice, putting his unclean yellow hands upon Eugene. And he made the effort at reconciliation Eugene so dreaded, whimpering, blowing his foul breath upon his brother's cringing flesh, and entreating him to say nothing of the occurrence when he went home. Eugene became violently nauseated: the stale odor of Steve's body, the clammy and unhealthy sweat that stank with nicotine, the touch of his tainted flesh filled him with horror.

But, as her friendship with Helen ripened, as she saw the revulsion of the Gants against their brother, and as she began to see what damage she had already done to herself by her union with this braggart who had brandished her name through every poolroom in town as a tribute to his own power, she cast him off, quietly, implacably, tenderly. When she returned now, summer by summer, she met with her innocent and unwitting smile all of his obscene innuendoes, his heavily suggestive threats, his bitter revelations behind her back. Her affection for Helen was genuine, but it was also, she felt, strategic and useful. The girl introduced her to handsome young men, gave parties and dances at Gant's and Eliza's for her, was really a partner in her intrigues, assuring her of privacy, silence, and darkness, and defending her angrily when the evil whispering began.

"What do you know about her? You don't know what she does. You'd better be careful how you talk about her. She's got a husband to defend her, you know. You'll get your head shot off some day." Or, more doubtfully:

"Well, I don't care what they say, I like her. She's mighty sweet. After all, what can we say about her for sure? No one can PROVE anything on her."

And in the winters now she made short visits to the South Carolina town where Mrs. Selborne lived, returning with an enthusiastic description of her reception, the parties "in her honor," the food, the lavish entertainment. Mrs. Selborne lived in the same town as Joe Gambell, the young clerk to whom Daisy was engaged. He was full of sly hints about the woman, but before her his manner was obsequious, confused, reverential, and he accepted without complaint the presents of food and clothing which she sent him after their marriage.

Daisy had been married in the month of June following Eliza's purchase of Dixieland: the wedding was arranged on a lavish scale, and took place in the big dining-room of the house. Gant and his two older sons grinned sheepishly in unaccustomed evening dress, the Pentlands, faithful in their attendance at weddings and funerals, sent gifts and came. Will and Pett gave a heavy set of carving steels.

Eugene remembered weeks of frantic preparation, dress fittings, rehearsals, the hysteria of Daisy, who stared at her nails until they went blue, and the final splendor of the last two days -- the arriving gifts, the house, unnaturally cheerful with rich carpets and flowers, the perilous moment when their lives joined, the big packed dining-room, the droning interminable Scotch voice of the Presbyterian minister, the mounting triumph of the music when the grocery clerk got his bride. Later, the confusion, the greetings, the hysteria of the women. Daisy sobbing uncontrollably in the arms of a distant cousin, Beth Pentland, who had come up with her hearty red husband, the owner of a chain of small groceries in a South Carolina town, bringing gifts and a giant watermelon, and whose own grief was enhanced by the discovery, after the wedding, that the dress she had worked on weeks in advance she had put on, in her frenzy, wrong side out.

"I hope you always have something to use them on," said Will, flensing his hand, and winking at Joe Gambell.

"There's no place like Henderson," said he, with complacent and annoying fidelity, referring to that haven of enervation, red clay, ignorance, slander, and superstition, in whose effluent rays he had been reared.

Thus Daisy passed more or less definitely out of Eugene's life, although he was to see her briefly on visits, but with decreasing frequency, in the years that followed. The grocery clerk was making the one daring gesture of his life: he was breaking away from the cotton town, in which all the years of his life had been passed, and from the long lazy hours of grocery clerks, the languorous gossip of lank cotton farmers and townsmen, to which he had been used. He had found employment as a commercial traveller for a food products company: his headquarters was to be in Augusta, Georgia, but he was to travel into the far South.

This rooting up of his life, this adventure into new lands, the effort to improve his fortune and his state, was his wedding gift to his wife -- a bold one, but imperilled already by distrust, fear, and his peasant suspicion of new scenes, new faces, new departures, of any life that differed from that of his village.

In the early autumn after her marriage, Gant made the journey to Augusta, taking Eugene with him. The inner excitement of both was intense; the hot wait at the sleepy junction of Spartanburg, the ride in the dilapidated day coaches of the branch line that ran to Augusta, the hot baked autumnal land, rolling piedmont and pine woods, every detail of the landscape they drank in with thirsty adventurous eyes. Gant's roving spirit was parched for lack of travel: for Eugene, Saint Louis was a faint unreality, but there burned in him a vision of the opulent South, stranger even than his passionate winter nostalgia for the snow-bound North, which the drifted but short-lived snows in Altamont, the seizure of the unaccustomed moment for sledding and skating on the steep hills awakened in him with a Northern desire, a desire for the dark, the storm, the winds that roar across the earth and the triumphant comfort of warm walls which only a Southerner perhaps can know.

But he went to Augusta, and began his new life with Daisy in a lodging house. She was twenty-one, a slender, blushing girl who played the piano beautifully, accurately, academically, with a rippling touch, and no imagination. Eugene could never remember her very well.

And he saw the town of Augusta first not in the drab hues of reality, but as one who bursts a window into the faery pageant of the world, as one who has lived in prison, and finds life and the earth in rosy dawn, as one who has lived in all the fabulous imagery of books, and finds in a journey only an extension and verification of it -- so did he see Augusta, with the fresh washed eyes of a child, with glory, with enchantment.

They were gone two weeks. He remembered chiefly the brown stains of the recent flood, which had flowed through the town and inundated its lower floors, the broad main street, the odorous and gleaming drugstore, scented to him with all the spices of his fancy, the hills and fields of Aiken, in South Carolina, where he sought vainly for John D. Rockefeller, a legendary prince who, he heard, went there for sport, marvelling that two States could join imperceptibly, without visible markings, and the cotton gin where he saw the great press mash the huge raw bales cleanly into tight bundles half their former size.

They went to the theatre: it was one of the first plays he had seen. The play was a biblical one, founded on the story of Saul and Jonathan, and he whispered to Gant from scene to scene the trend of coming events -- a precocity which pleased his father mightily, and to which he referred for months.

Once, some children on the street had taunted him because of his long hair, and he had fallen into a cursing fury; once, in a rage at some quarrel with his sister, he set off on a world adventure, walking furiously for hours down a country road by the river and cotton fields, captured finally by Gant who sought for him in a hired rig.

Just before they came home, Joe Gambell, in a fit of concocted petulance, resigned his position, and announced that he was returning to Henderson. His adventure had lasted three months.