And these bodiless phantoms of his life appeared with terrible precision, with all the mad nearness of a vision. That which was five years gone came within the touch of his hand, and he ceased at that moment to believe in his own existence. He expected some one to wake him; he would hear Gant's great voice below the laden vines, would gaze sleepily from the porch into the rich low moon, and go obediently to bed. But still there would be all that he remembered before that and what if -- Cause flowed ceaselessly into cause.

The mountains were his masters. They rimmed in life. They were the cup of reality, beyond growth, beyond struggle and death. They were his absolute unity in the midst of eternal change. Old haunt-eyed faces glimmered in his memory. He thought of Swain's cow, St. Louis, death, himself in the cradle. He was the haunter of himself, trying for a moment to recover what he had been part of. He did not understand change, he did not understand growth. He stared at his framed baby picture in the parlor, and turned away sick with fear and the effort to touch, retain, grasp himself for only a moment.

He heard the ghostly ticking of his life; his powerful clairvoyance, the wild Scotch gift of Eliza, burned inward back across the phantom years, plucking out of the ghostly shadows a million gleams of light -- a little station by the rails at dawn, the road cleft through the pineland seen at twilight, a smoky cabin-light below the trestles, a boy who ran among the bounding calves, a wisp-haired slattern, with snuff-sticked mouth, framed in a door, floury negroes unloading sacks from freight-cars on a shed, the man who drove the Fair Grounds bus at Saint Louis, a cool-lipped lake at dawn.

His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train.

And it was this that awed him -- the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge -- movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition.

His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now?

I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then?

The fusion of the two strong egotisms, Eliza's inbrooding and Gant's expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.

The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern because a London cut-purse went unhung. Through Chance, we are each a ghost to all the others, and our only reality; through Chance, the huge hinge of the world, and a grain of dust; the stone that starts an avalanche, the pebble whose concentric circles widen across the seas.

Against the hidden other flanks of the immutable hills the world washed like a vast and shadowy sea, alive with the great fish of his imagining. Variety, in this unvisited world, was unending, but order and purpose certain: there would be no wastage in adventure -- courage would be regarded with beauty, talent with success, all merit with its true deserving. There would be peril, there would be toil, there would be struggle. But there would not be confusion and waste. There would not be groping. For collected Fate would fall, on its chosen moment, like a plum. There was no disorder in enchantment.

He believed himself thus at the centre of life; he believed the mountains rimmed the heart of the world; he believed that from all the chaos of accident the inevitable event came at the inexorable moment to add to the sum of his life.

Spring lay abroad through all the garden of this world. Beyond the hills the land bayed out to other hills, to golden cities, to rich meadows, to deep forests, to the sea. Forever and forever.

Beyond the hills were the mines of King Solomon, the toy republics of Central America, and little tinkling fountains in a court; beyond, the moonlit roofs of Bagdad, the little grated blinds of Samarkand, the moonlit camels of Bythinia, the Spanish ranch-house of the Triple Z, and J. B. Montgomery and his lovely daughter stepping from their private car upon a western track; and the castle-haunted crags of Graustark; the fortune-yielding casino of Monte Carlo; and the blue eternal Mediterranean, mother of empires. And instant wealth ticked out upon a tape, and the first stage of the Eiffel Tower where the restaurant was, and Frenchmen setting fire to their whiskers, and a farm in Devon, white cream, brown ale, the winter's chimney merriment, and Lorna Doone; and the hanging gardens of Babylon, and supper in the sunset with the queens, and the slow slide of the barge upon the Nile, or the wise rich bodies of Egyptian women couched on moonlit balustrades, and the thunder of the chariots of great kings, and tomb-treasure sought at midnight, and the wine-rich chateau land of France, and calico warm legs in hay.

Upon a field in Thrace Queen Helen lay, her lovely body dappled in the sun.

Meanwhile, business had been fairly good. Eliza's earning power the first few years at Dixieland had been injured by her illnesses. Now, however, she had recovered, and had paid off the last installment on the house. It was entirely hers. The property at this time was worth perhaps $12,000. In addition she had borrowed $3,500 on a twenty-year $5,000 life insurance policy that had only two years more to run, and had made extensive alterations: she had added a large sleeping-porch upstairs, tacked on two rooms, a bath, and a hallway on one side, and extended a hallway, adding three bedrooms, two baths, and a water-closet, on the other. Downstairs she had widened the veranda, put in a large sun-parlor under the sleeping-porch, knocked out the archway in the dining-room, which she prepared to use as a big bedroom in the slack season, scooped out a small pantry in which the family was to eat, and added a tiny room beside the kitchen for her own occupancy.

The construction was after her own plans, and of the cheapest material: it never lost the smell of raw wood, cheap varnish, and flimsy rough plastering, but she had added eight or ten rooms at a cost of only $3,000. The year before she had banked almost $2,000 -- her bank account was almost $5,000. In addition, she owned jointly with Gant the shop on the Square, which had thirty feet of frontage, and was valued at $20,000, from which he got $65 a month in rent; $20 from Jannadeau, $25 from the McLean Plumbing Company in the basement, and $20 from the J. N. Gillespie Printing Co., which occupied all of the second story. There were, besides, three good building-lots on Merrion Avenue valued at $2,000 apiece, or at $5,500 for all three; the house on Woodson Street valued at $5,000; 110 acres of wooded mountainside with a farm-house, several hundred peach, apple and cherry trees, and a few acres of arable ground for which Gant received $120 a year in rent, and which they valued at $50 an acre, $5,500; two houses, one on Carter Street, and one on Duncan, rented to railway people, for which they received $25 a month apiece, and which they valued together at $4,500; forty-eight acres of land two miles above Biltburn, and four from Altamont, upon the important Reynoldsville Road, which they valued at $210 an acre, or $10,000; three houses in Niggertown -- one on lower Valley Street, one on Beaumont Crescent, just below the negro Johnson's big house, and one on Short Oak, valued at $600, $900, and $1,600 respectively, and drawing a room-rental of $8, $12, and $17 a month (total: $3,100 and $37 rental); two houses across the river, four miles away in West Altamont, valued at $2,750 and at $3,500, drawing a rental of $22 and $30 a month; three lots, lost in the growth of a rough hillside, a mile from the main highway through West Altamont, $500; and a house, unoccupied, object of Gantian anathema, on Lower Hatton Avenue, $4,500.

In addition, Gant held 10 shares, which were already worth $200 each ($2,000), in the newly organized Fidelity Bank; his stock of stones, monuments, and fly-specked angels represented an investment of $2,700, although he could not have sold them outright for so much; and he had about $3,000 deposited in the Fidelity, the Merchants, and the Battery Hill banks.

Thus, at the beginning of 1912, before the rapid and intensive development of Southern industry, and the consequent tripling of Altamont's population, and before the multiplication of her land values, the wealth of Gant and Eliza amounted to about $100,000, the great bulk of which was solidly founded in juicy well chosen pieces of property of Eliza's selection, yielding them a monthly rental of more than $200, which, added to their own earning capacities at the shop and Dixieland, gave them a combined yearly income of $8,000 or $10,000. Although Gant often cried out bitterly against his business and declared, when he was not attacking property, that he had never made even a bare living from his tombstones, he was rarely short of ready money: he usually had one or two small commissions from country people, and he always carried a well-filled purse, containing $150 or $200 in five -- and ten-dollar bills, which he allowed Eugene to count out frequently, enjoying his son's delight, and the feel of abundance.

Eliza had suffered one or two losses in her investments, led astray by a strain of wild romanticism which destroyed for the moment her shrewd caution. She invested $1,200 in the Missouri Utopia of a colonizer, and received nothing for her money but a weakly copy of the man's newspaper, several beautiful prospectuses of the look of things when finished, and a piece of clay sculpture, eight inches in height, showing Big Brother with his little sisters Jenny and Kate, the last with thumb in her mouth.

"By God," said Gant, who made savage fun of the proceeding, "she ought to have it on her nose."

And Ben sneered, jerking his head toward it, saying:

But Eliza was preparing to go on by herself. She saw that cooperation with Gant in the purchase of land was becoming more difficult each year. And with something like pain, something assuredly like hunger, she saw various rich plums fall into other hands or go unbought. She realized that in a very short time land values would soar beyond her present means. And she proposed to be on hand when the pie was cut.

"There's her $1,200."

Nevertheless he refused to buy it with Eliza, and with an aching heart she saw it go to St. Greenberg, the rich junk-man, for $8,500. Within a year he had sold off five lots at the back, on the Yancy Street side, for $1,000 each, and was holding the house for $20,000.

Across the street from Dixieland was the Brunswick, a well-built red brick house of twenty rooms. The marble facings had been done by Gant himself twenty years before, the hardwood floors and oak timbering by Will Pentland. It was an ugly gabled Victorian house, the marriage gift of a rich Northerner to his daughter, who died of tuberculosis.

"We could have had our money back by now three times over," Eliza fretted.

"Not a better built house in town," said Gant.

Will Pentland's fortune at this time was vaguely estimated at from $500,000 to $700,000. It was mainly in property, a great deal of which was situated -- warehouses and buildings -- near the passenger depot of the railway.

She did not have enough money at the time for any important investment. She saved and she waited.

Sometimes Altamont people, particularly the young men who loafed about Collister's drug-store, and who spent long dreamy hours estimating the wealth of the native plutocracy, called Will Pentland a millionaire. At this time it was a distinction in American life to be a millionaire. There were only six or eight thousand. But Will Pentland wasn't one. He was really worth only a half million.

One time Gant pointed him out to Eugene. He was about to enter a bank.

"There he is," whispered Gant. "Do you see him?"

Mr. Goulderbilt was a millionaire. He was driven into town in a big Packard, but he got out and went along the streets like other men.

Eugene nodded, wagging his head mechanically. He was unable to speak. Mr. Goulderbilt was a small dapper man, with black hair, black clothes, and a black mustache. His hands and feet were small.

"He's got over $50,000,000," said Gant. "You'd never think it to look at him, would you?"

And Eugene dreamed of these money princes living in a princely fashion. He wanted to see them riding down a street in a crested coach around which rode a teetering guard of liveried outriders. He wanted their fingers to be heavily gemmed, their clothes trimmed with ermine, their women coroneted with flashing mosaics of amethyst, beryl, ruby, topaz, sapphire, opal, emerald, and wearing thick ropes of pearls. And he wanted to see them living in palaces of alabaster columns, eating in vast halls upon an immense creamy table from vessels of old silver -- eating strange fabulous foods -- swelling unctuous paps of a fat pregnant sow, oiled mushrooms, calvered salmon, jugged hare, the beards of barbels dressed with an exquisite and poignant sauce, carps' tongues, dormice and camels' heels, with spoons of amber headed with diamond and carbuncle, and cups of agate, studded with emeralds, hyacinths, and rubies -- everything, in fact, for which Epicure Mammon wished.

Simon, when Eugene first saw him, was a man of almost fifty years. He had a strong, rather heavy figure of middling height, a lean brown face, with shadowy hollows across the cheeks, always closely shaven, but sometimes badly scarred by his gouging fingernails, and a long thin mouth that curved slightly downward, subtle, sensitive, lighting his whole face at times with blazing demoniac glee. He had straight abundant hair, heavily grayed, which he kept smartly brushed and flattened at the sides. His clothing was loose and well cut: he wore a dark coat above baggy gray flannels, silk shirt rayed with broad stripes, a collar to match, and a generous loosely knotted tie. His waistcoats were of a ruddy-brown chequered pattern. He had an appearance of great distinction.

Eugene met only one millionaire whose performances in public satisfied him, and he, unhappily, was crazy. His name was Simon.

Simon and his two keepers first came to Dixieland when difficulties with several of the Altamont hotels forced them to look for private quarters. The men took two rooms and a sleeping-porch, and paid generously.

At this moment there was a piercing yell upstairs, followed by a long peal of diabolical laughter. Eugene bounded up and down the hall in his exultancy and delight, producing little squealing noises in his throat. Ben, scowling, with a quick flicker of his mouth, drew back his hard white hand swiftly as if to cuff his brother. Instead, he jerked his head sideways to Eliza, and said with a soft, scornful laugh: "By God, mama, I don't see why you have to take them in. You've got enough of them in the family already."

"Mama, in heaven's name --" Helen began furiously. At this moment Gant strode in out of the dusk, carrying a mottled package of pork chops, and muttering rhetorically to himself. There was another long peal of laughter above. He halted abruptly, startled, and lifted his head. Luke, listening attentively at the foot of the stairs, exploded in a loud boisterous guffaw, and the girl, her annoyance changing at once to angry amusement, walked toward her father's inquiring face, and prodded him several times in the ribs.

"Why, pshaw!" said Eliza persuasively to Helen. "I don't believe there's a thing wrong with him. He's as quiet and well-behaved as you please."

"Hey?" he said startled. "What is it?"

"Miss Eliza's got a crazy man upstairs," she sniggered, enjoying his amazement.

"God have mercy on us," he chuckled. "She'll have the place filled with all of Barnum's freaks the next thing you know."

There was another long howl of mirth above. Gant paused, caught Helen's eye, and began to grin suddenly in an unwilling sheepish manner.

At this moment, Simon, self-contained, distinguished and grave in his manner, descended the steps with Mr. Gilroy and Mr. Flannagan, his companions. The two guards were red in the face, and breathed stertorously as if from some recent exertion. Simon, however, preserved his habitual appearance of immaculate and well-washed urbanity.

"Jesus God!" Gant yelled frantically, wetting his big thumb swiftly on his tongue, and glancing up toward his Maker with an attitude of exaggerated supplication in his small gray eyes and the thrust of his huge bladelike nose. Then, letting his arms slap heavily at his sides, in a gesture of defeat, he began to walk rapidly back and forth, clucking his deprecation loudly. Eliza stood solidly, looking from one to another, her lips working rapidly, her white face hurt and bitter.

"He's a mul-tye-millionaire," Mr. Flannagan explained proudly. "We give him four or five dollars in small change every morning just to throw away."

"And what is your name, young man?" said Simon with his beautiful devil's smile.

Eugene moved into the presence.

Every one looked doubtfully at Mr. Gilroy.

"Good evening," he remarked suavely. "I hope I have not kept you waiting long." He caught sight of Eugene.

"Come here, my boy," he said very kindly.

"That's a very fine name," said Simon. "Always try to live up to it." He thrust his hand carelessly and magnificently into his coat pocket, drawing out under the boy's astonished eyes, a handful of shining five -- and ten-cent pieces.

"Eugene."

"Always be good to the birds, my boy," said Simon, and he poured the money into Eugene's cupped hands.

"It's all right," remarked Mr. Gilroy, encouragingly. "He wouldn't hurt a fly."

"Oh, that's all right!" said Mr. Gilroy cheerfully. "He'll never miss it. There's lots more where that came from."

Simon caught sight of Gant for the first time.

'That's right," said Mr. Gilroy, noting Gant's grin. "The Stingaree's a fish. They have them in Florida."

"Don't forget the birds, my friends," said Simon, going out with his companions. "Be good to the birds."

"I tell you what," said Eliza laughing. "He's not so crazy as you think."

They became very fond of him. Somehow he fitted into the pattern of their life. None of them was uncomfortable in the presence of madness. In the flowering darkness of Spring, prisoned in a room, his satanic laughter burst suddenly out: Eugene listened, thrilled, and slept, unable to forget the smile of dark flowering evil, the loose pocket chinking heavily with coins.

Night, the myriad rustle of tiny wings. Heard lapping water of the inland seas.

-- And the air will be filled with warm-throated plum-dropping bird-notes. He was almost twelve. He was done with childhood. As that Spring ripened he felt entirely, for the first time, the full delight of loneliness. Sheeted in his thin nightgown, he stood in darkness by the orchard window of the back room at Gant's, drinking the sweet air down, exulting in his isolation in darkness, hearing the strange wail of the whistle going west.

"Look out for the Stingaree," he cried. "Remember the Maine."

Stuck on a thin undeveloped neck beneath a big wide-browed head covered thickly by curling hair which had changed, since his infancy, from a light maple to dark brown-black, was a face so small, and so delicately sculptured, that it seemed not to belong to its body. The strangeness, the remote quality of this face was enhanced by its brooding fabulous concentration, by its passionate dark intensity, across which every splinter of thought or sensation flashed like a streak of light across a pool. The mouth was full, sensual, extraordinarily mobile, the lower lip deeply scooped and pouting. His rapt dreaming intensity set the face usually in an expression of almost sullen contemplation; he smiled, oftener than he laughed, inwardly, at some extravagant invention, or some recollection of the absurd, now fully appreciated for the first time. He did not open his lips to smile -- there was a swift twisted flicker across his mouth. His thick heavily arched eyebrows grew straight across the base of his nose.

The prison walls of self had closed entirely round him; he was walled completely by the esymplastic power of his imagination -- he had learned by now to project mechanically, before the world, an acceptable counterfeit of himself which would protect him from intrusion. He no longer went through the torment of the recess flight and pursuit. He was now in one of the upper grades of grammar school, he was one of the Big Boys. His hair had been cut when he was nine years old, after a bitter siege against Eliza's obstinacy. He no longer suffered because of the curls. But he had grown like a weed, he already topped his mother by an inch or two; his body was big-boned but very thin and fragile, with no meat on it; his legs were absurdly long, thin, and straight, giving him a curious scissored look as he walked with long bounding strides.

That Spring he was more alone than ever. Eliza's departure for Dixieland three or four years before, and the disruption of established life at Gant's, had begun the loosening of his first friendships with the neighborhood boys, Harry Tarkinton, Max Isaacs, and the others, and had now almost completely severed them. Occasionally he saw these boys again, occasionally he resumed again, at sporadic intervals, his association with them, but he now had no steady companionship, he had only a series of associations with children whose parents stayed for a time at Dixieland, with Tim O'Doyle, whose mother ran the Brunswick, with children here and there who briefly held his interest.

But he became passionately bored with them, plunged into a miasmic swamp of weariness and horror, after a time, because of the dullness and ugliness of their lives, their minds, their amusements. Dull people filled him with terror: he was never so much frightened by tedium in his own life as in the lives of others -- his early distaste for Pett Pentland and her grim rusty aunts came from submerged memories of the old house on Central Avenue, the smell of mellow apples and medicine in the hot room, the swooping howl of the wind outside, and the endless monotone of their conversation on disease, death, and misery. He was filled with terror and anger against them because they were able to live, to thrive, in this horrible depression that sickened him.

Or, returning from some country walk in late autumn, he would come back from Cove or Valley with dewy nose, clotted boots, the smell of a mashed persimmon on his knee, and the odor of wet earth and grass on the palms of his hands, and with a stubborn dislike and suspicion of the scene he had visited, and fear of the people who lived there.

Thus, the entire landscape, the whole physical background of his life, was now dappled by powerful prejudices of liking and distaste formed, God knows how, or by what intangible affinities of thought, feeling and connotation. Thus, one street would seem to him to be a "good street"-- to exist in the rich light of cheerful, abundant, and high-hearted living; another, inexplicably, a "bad street," touching him somehow with fear, hopelessness, depression.

Perhaps the cold red light of some remembered winter's afternoon, waning pallidly over a playing-field, with all its mockery of Spring, while lights flared up smokily in houses, the rabble-rout of children dirtily went in to supper, and men came back to the dull but warm imprisonment of home, oil lamps (which he hated), and bedtime, clotted in him a hatred of the place which remained even when the sensations that caused it were forgotten.

He had the most extraordinary love of incandescence. He hated dull lights, smoky lights, soft, or sombre lights. At night he wanted to be in rooms brilliantly illuminated with beautiful, blazing, sharp, poignant lights. After that, the dark.

He played games badly, although he took a violent interest in sports. Max Isaacs continued to interest him as an athlete long after he had ceased to interest him as a person. The game Max Isaacs excelled in was baseball. Usually he played one of the outfield positions, ranging easily about in his field, when a ball was hit to him, with the speed of a panther, making impossible catches with effortless grace. He was a terrific hitter, standing at the plate casually but alertly, and meeting the ball squarely with a level swinging smack of his heavy shoulders. Eugene tried vainly to imitate the precision and power of this movement, which drove the ball in a smoking arc out of the lot, but he was never able: he chopped down clumsily and blindly, knocking a futile bounder to some nimble baseman. In the field he was equally useless: he never learned to play in a team, to become a limb of that single animal which united telepathically in a concerted movement. He became nervous, highly excited, and erratic in team-play, but he spent hours alone with another boy, or, after the mid-day meal, with Ben, passing a ball back and forth.

But he was in no way able to submit himself to the discipline, the hard labor, the acceptance of defeat and failure that make a good athlete; he wanted always to win, he wanted always to be the general, the heroic spear-head of victory. And after that he wanted to be loved. Victory and love. In all of his swarming fantasies Eugene saw himself like this -- unbeaten and beloved. But moments of clear vision returned to him when all the defeat and misery of his life was revealed. He saw his gangling and absurd figure, his remote unpractical brooding face, too like a dark strange flower to arouse any feeling among his companions and his kin, he thought, but discomfort, bitterness, and mockery; he remembered, with a drained sick heart, the countless humiliations, physical and verbal, he had endured, at the hands of school and family, before the world, and as he thought, the horns of victory died within the wood, the battle-drums of triumph stopped, the proud clangor of the gongs quivered away in silence. His eagles had flown; he saw himself, in a moment of reason, as a madman playing Cæsar. He craned his head aside and covered his face with his hand.

He developed blinding speed, bending all the young suppleness of his long thin body behind the ball, exulting as it smoked into the pocket of the mitt with a loud smack, or streaked up with a sharp dropping curve. Ben, taken by surprise by a fast drop, would curse him savagely, and in a rage hurl the ball back into his thin gloved hand. In the Spring and Summer he went as often as he could afford it, or was invited, to the baseball games in the district league, a fanatic partisan of the town club and its best players, making a fantasy constantly of himself in a heroic game-saving rôle.