"Okay." But he sounded disappointed, as if he had been hoping I had one stuffed down my pants right then. 'How much?"

"A week. Maybe less."

"How soon?"

Posters are a big part of my business, just behind the booze and cigarettes, usually half a step ahead of the reefer. In the 60s the business exploded in every direction, with a lot of people wanting funky hang-ups like Jimi Hendrix, Bob Dylan, that Easy Rider poster. But mostly it's girls; one pinup queen after another.

"Take it easy, sure I can. Does a bear shit in the woods?" The audience was applauding and catcalling as the bugs came out of the walls to get Ray Milland, who was having a bad case of the DT's.

I quoted him the wholesale price. I could afford to give him this one at cost; he'd been a good customer, what with his rock-hammer and his rock-blankets. Furthermore, he'd been a good boy -- on more than one night when he was having his problems with Bogs, Rooster, and the rest, I wondered how long it would be before he used the rock-hammer to crack someone's head open.

The prison administration knows about the black market, in case you were wondering. Sure they do. They probably know as much about my business as I do myself. They live with it because they know that a prison is like a big pressure cooker, and there have to be vents somewhere to let off steam. They make the occasional bust, and I've done time in solitary a time or three over the years, but when it's something like posters, they wink. Live and let live. And when a big Rita Hayworth went up in some fishie's cell, the assumption was that it came in the mail from a friend or a relative. Of course all the care-packages from friends and relatives are opened and the contents inventoried, but who goes back and re-checks the inventory sheets for something as harmless as a Rita Hayworth or an Ava Gardner pin-up? When you're in a pressure-cooker you learn to live and let live or somebody will carve you a brand-new mouth just above the Adam's apple. You learn to make allowances.

A few days after I spoke to Ernie, a laundry driver I did business with back then, brought in better than sixty posters, most of them Rita Hayworths. You may even remember the picture; I sure do. Rita is dressed -- sort of- in a bathing suit, one hand behind her head, her eyes half closed, those full, sulky red lips parted. They called it Rita Hayworth, but they might as well have called it Woman in Heat.

It was Ernie again who took the poster up to Andy's cell, 14, my own, 6. And it was Ernie who brought back the written in Andy's careful hand, just one word: "Thanks."

A little while later, as they filed us out for morning chow, I glanced into his ceil and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk when he could look at her nights, after lights out, in the glow of the arc sodiums in the exercise yard.

But in the bright morning sunlight, there were dark slashes across her face -- the shadow of the bars on his single slit-window.

Now I'm going to tell you what happened in mid-May of 1950 that finally ended Andy's three-year series of skirmishes with the sisters. It was also the incident which eventually got him out of the laundry and into the library, where he filled out his work-time until he left our happy little family earlier this year.

You may have noticed now much of what I've told you already is hearsay -- someone saw something and told me and I told you. Well, in some cases I've simplified it even more than it really was, and have actually repeated (or will repeat) fourth- or fifth-hand information. That's the way it s here. The grapevine is very real, and you have to use it if you're going to stay ahead. Also, of course, you have to know how to pick out the grains of truth from the chaff of lies, rumours, and wish-it-had-beens.

You may also have gotten the idea that I'm describing someone who's more legend than man, and I would have to agree that there's some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too… but with one important difference: I was there and I saw what happened, and I swear on my mother's name that it's all true. The oath of a convicted murderer may not be worth much, but believe this: I don't lie.

Andy and I were on fair speaking terms by then. The guy fascinated me. Looking back to the poster episode, I see there's one thing I neglected to tell you, and maybe I should. Five weeks after he hung Rita up (I'd forgotten all about it by then, and had gone on to other deals), Ernie passed a small white box through the bars of my cell.

Now what the hell was this, I was wondering as I slipped the cover from the box. There was a lot of white cotton inside, and below that…

"From Dufresne," he said, low, and never missed a stroke with his push-broom.

"Thanks, Ernie," I said, and slipped him half a pack of Camels.

I looked for a long time. For a few minutes it was like I didn't even dare touch them, they were so pretty. There's a crying shortage of pretty things in the slam, and the real pity of it is that a lot of men don't even seem to miss them.

There were two pieces of quartz in that box, both of them carefully polished. They had been chipped into driftwood shapes. There were little sparkles of iron pyrites in them like flecks of gold. If they hadn't been so heavy, they would have served as a fine pair of men's cufflinks -- they were that close to being a matched set.

How much work went into creating those two pieces? Hours and hours after lights out, I knew that first the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been worked and made -- that's the thing that really separates us from the animals, I think -- and I felt something else, too. A sense of awe for the man's brute persistence. But I never knew just how persistent Andy Dufresne could be until much later.