Croce

美 [ˈkroʊtʃi]

n.  克罗塞

BNC.42566



双语例句

  1. One very cold day in January, Croce, 32-year-old, forked up a plate of lasagna while he watched "The Godfather".
    在1月的一个非常寒冷的日子里,32岁的克罗斯一边看《教父》一边吃着意大利面条。
  2. A Comparison Between Li Zhi s "Theory of the Childlike Heart" and Croce s "Theory of the Intuitive Expression"; He proved himself worthy of confidence.
    李贽童心说与克罗齐直觉表现说之比较他的表现说明他值得信赖。
  3. The liberal philosopher Benedetto Croce campaigned against the regime and, though his home was sacked by Fascist thugs, Mussolini never dared to forbid him to publish.
    自由主义哲学家贝内代托。克罗切致力反对墨索里尼政权,法西斯党虽然遣恶棍到他家里抢掠,墨索里尼却始终不敢禁止他发表文章。
  4. Information technology definitely presents a dilemma for many Italians, says Paolo Di Croce, the secretary of Slow Food International.
    国际慢食协会秘书长保罗迪克罗齐声称信息技术让许多意大利人为难。
  5. And it is also found that both Kant and Croce magnify the spread of life-force, the vitality of mind, the consistency of sense and reason, and the respect for freedom and dignity.
    发现二者所张扬的都是生命力的洋溢,精神的生生不息,情理的统一,都是对人的自由的肯定和尊严的认可。
  6. Croce boils down art, i.e. intuition, to perceptual knowledge and art criticism to rational knowledge, which takes interpretation as its content and perceptive judgment as its form.
    克罗齐把艺术即直觉归结为感性认识,把艺术批评归结为以人生阐释为内容、以知觉判断为形式的理性认识。
  7. Croce's views. But because they both had humanistic thoughts, they had similar views in terms of the relationship between emotions and reasons, theory of literary tools and how to understand literary criticism.
    但梁实秋与克罗齐之间,又在情与理的关系,文学工具说,如何理解文学批评等问题上有着相近的观点,这源自于他们二人本有相近的人本主义思想。
  8. Influenced by Croce's aesthetic ideology, Collingwood advocated that integration of art and language is a general imaginational activity.
    科林伍德受克罗齐美学思想的影响,主张艺术与语言同一,是总体想象性活动。
  9. It gets its thought origin from German classic philosophy, the thought of Hegelianism Croce as well as the thoughts of Marx and Lenin and it is also the summary of his own political struggles.
    它与德国古典哲学、黑格尔主义者克罗齐的思想和马克思、列宁的思想都具有一定的思想渊源关系,同时也是他个人政治斗争经验的概括。
  10. Given the constructiveness of criticism, Croce takes criticism as the critical thinking of truth, the historical accumulation of intellectual gains, and the process of maturity of artistic taste.
    正是立足于建设性,克罗齐把批评看作确认真知的批判性思维,思想成果的历史性积累,艺术趣味的成熟化过程。
  11. On the Ethical Values in Benedetto Croce's Historical Thought
    论克罗齐史学思想中的伦理价值观
  12. A Survey on Kant and Croce's Aesthetic Subjectivity
    审视康德和克罗齐美学中的主体性
  13. TX Liberty and History: An Aspect of Croce's Philosophy of History
    自由与历史&对克罗齐历史哲学一个侧面的考察
  14. Croce said that all the history was the contemporary history. Today, it is100 years after the Reform Movement of1898. Let's read what the author writes about that movement.
    克罗齐说,一切历史都是当代史。在戊戌变法百年后的今天,让我们听一听当代学者是怎样审视戊戌变法的。
  15. Croce thinks that spirit is the root of the world and what is holded by the spirit is realistic.
    克罗齐把精神作为世界的本原,他认为只有经过心灵掌握的,才是现实的。
  16. "Intuition" is the core of Croce's aesthetics, a general concept in the western esthetics.
    直觉是克罗齐美学思想的核心范畴,也是西方美学中的一个普泛性概念。
  17. The activity of the spirit is all the realism. There is only spirit in the world, and the spirit can create the whole. So Croce calls his philosophy "spirit philosophy".
    心灵的活动就是全部的现实,世界上惟有精神存在,精神创造了一切,因此,克罗齐把自己的哲学称为精神哲学。
  18. Benedetto Croce, is a famous Italian philosopher, esthetician and literature critic.
    克罗齐,意大利著名哲学家、美学家、文学批评家。
  19. Therefore, we must realize Croce philosophy to the upside down again, make Croce philosophy of the good part really become the important content of the philosophy of praxis.
    因此,必须实现对克罗齐哲学的再颠倒,使克罗齐哲学中的有益部分真正成为实践哲学的重要内容。
  20. Among them, Nietzsche, Schopenhauer, Croce, Phillips and other philosophy of the Western a great impact on Expressionism.
    其中,尼采、叔本华、克罗齐、利普斯等哲学对西方表现主义产生巨大影响。
  21. As for the question of the relation of aesthetic experiment and artistic creation, Croce equated the production of aesthetic experience with the formation of art, equated aesthetic activity with artistic activity and regarded aesthetics as the synonym for art.
    至于审美经验与艺术创造的关系问题,克罗齐将审美经验的产生过程等同于艺术品的形成过程,将审美经验等同于艺术经验,将审美活动等同于艺术活动,将审美与艺术看作同义词。
  22. According to Croce, small artworks are artworks. And we have to reserve space for them.
    根据克罗齐,小艺术是艺术,我们必须而且应该在艺术世界中为其保留空间。
  23. This paper selects her two representative work, "Seven Words,"" In Croce "for research.
    本文选取了她的两部具有代表性的作品《七字箴言》、《在十字架上》来进行研究。
  24. Precisely, Croce believed that the ability of artistic creation and artistic appreciation was shared by artists and the audience. In another word, artistic ability is the general ability of human beings.
    更准确地说,克罗齐认为艺术的创造能力和欣赏能力是艺术家和观赏者共有的能力;换言之,艺术能力是人类的普遍能力。
  25. We know in the life world, just like Croce said, is occupied in intuitive act, but this intuition is mainly perception.
    我们知道在生活世界中,正如克罗齐所言,是处在一种直观行为中,不过生活直观中是以感知为主要的直观方式。