Nabokov
英
美 [ˈnæbəˌkɑv]
网络 纳博科夫; 纳波科夫; 纳博可夫; 纳巴科夫; 科夫
BNC.47350
双语例句
- Nabokov was the scion of an aristocratic family.
纳博科夫是一个贵族家庭的阔少。 - America, Mr. Roper suggests, liberated Nabokov and energized his imagination.
卢珀先生认为，是美国解放了纳博科夫，进一步激发了他的想象力。 - Vladimir Nabokov had a theory about this.
对此，弗拉基米尔·纳博科夫（VladimirNabokov）就有相应的看法。 - Phoenix Nirvana Regeneration: Nabokov research in China
凤凰涅盘与再生：俄罗斯的纳博科夫研究 - So, this is Nabokov's beautiful evocation of how writer and reader meet at the summit of this misty mountain of the imagination.
那么，这就是纳博科夫的美好呼唤，是关于读者和作者，如何在想像的巅峰相遇。 - Nabokov cannot meet his reader on the misty mountain; because somebody has to agree to publish this book first; it has to exist in the world before that reader can meet it.
然而纳博科夫却不能在这座巅峰上与他的读者相遇，因为在那之前必须有人先同意出版那本书；，在读者遇到那座山峰之前，它必须首先存在。 - In nabokov's opinion, if there was something transcendental in the world, and that would be literature.
这种信仰是相信世间有一种超越性的存在，而这种存在在纳博科夫这里就是艺术本身。 - Nabokov When we moved on to Nabokov, we had an author trying to imagine a work of art so autonomous from the world that it could be something like an autonomous form of life.
接下来我们说了，这是一位试图将文学作品想象为发自世界，以至于成为生活的一种自主形式的作家。 - In Nabokov there is, but it's usually aesthetic: how things look, the look of a hotel, the look of a field, the look of a child, the look of a woman.
在Nabokov的书中有：，不过一般是美学的：事物看起来怎么样，旅馆的样子，田地的样子，小孩的样子，女人的样子。 - A bald porcine old man ( Vladimir Nabokov)
一个秃顶的肥猪般的老头（弗拉基米尔纳博科夫） - A Tentative Analysis of Nabokov's Anxiety about Expression in Lolita and Pale Fire
试析纳博科夫《洛丽塔》和《微暗的火》中表达的焦虑 - The language that the Beats tried to imagine, tried to write, takes up some of these problems that we saw in Nabokov.
垮掉的一代试图想象和写出的语言，同样是是我们在纳博科夫的书里所看到的问题。 - And Nabokov says: The students leaned heavily on emotional identification, action, and the social, economic and historical angle.
纳博科夫说：学生严重倾向于：，情感上的共鸣、动作、，社会、经济和历史角度。 - Unlike Nabokov, these writers are not trying to make a language that is autonomous and separate from the world, so you will not see the kind of artifice and the labored attention to form.
不同的是这些作家并不想要营造一种，独立的和世界分离的语言，所以你不会看到这方面的炼化技巧，和费劲地塑造。 - There is that physical comedy, and I'll suggest to you that in that sentence, the pushing and pulling, you're seeing part of Nabokov's verbal play.
有着强烈的肢体喜剧色彩，我认为在这句话中，反复出现的推和拉，想你展示了纳博科夫的文字游戏。 - In this novel, Nabokov makes an effective enquiry into the psychological mechanism embedded in a totalitarian society.
在这部小说中，纳博科夫对群氓社会的心理运行机制进行了卓有成效的探索。 - It is also the date of birth or death of other prominent authors such as Maurice Druon, K.Laxness, Vladimir Nabokov, Josep Pla and Manuel Mej í a Vallejo.
这一天，同样也诞生或死亡了很多著名作家。 - He "wanted to be new", in the way that Nabokov, C é line, Faulkner and Waugh were new;
他“想要成为不落窠臼的作家”，在这条路上纳博科夫、克莱恩、福克纳和沃夫都是不落窠臼的； - Remember, I argued that Lolita has a dead child, and she dies in childbirth, in a way, because it's a kind of creativity that Nabokov wants to cancel, or that Humbert wants to cancel.
记住我说过Lolita有一个死去的孩子，而她自己也在分娩中死去，在某种意义上，因为这是一种创造，所以Nabokov想要取消，或者说Humbert想要取消。 - Intoxication and Soberness: A Study of Nabokov's Novels
沉醉与清醒：纳博科夫长篇小说研究 - Nabokov's reflections of art that transcend "the exhaustion of literature"
纳博科夫对“文学枯竭论”的超越性思考 - It's as if Nabokov allows us to see the mask of literature, to actually see it there palpably doing its work, so we can become self-aware of how we respond.
就好像Naboko让我们看到了文学的面具，让我们看到了它的功能，所以我们对自己的回应有感知了。 - This paper, based on Nabokov s life experience, examines the content of Nabokov s Diaspora consciousness and explores the importance of the multi-cultural perspective on Nabokov Study.
文章分析了纳博科夫流亡意识的内涵，论证以俄罗斯文化及多元文化视角进行纳博科夫研究的重要性。 - This paper analyzes the stylistic features of the novel Lolita written by Russian American Vladimir Nabokov from lexical, syntactical and phonological levels.
文章从词汇、句法、语音三个层面分析了俄裔美籍作家纳博科夫的小说《洛丽塔》的语言风格。 - The true critic, Vladimir Nabokov once observed, reads not with his brain but with his backbone.
弗拉基米尔？纳波可夫曾说，真正的评论家读书时用的不是大脑，而是脊梁骨。 - I think that's one of the places where Nabokov is. It's Nabokov meditating on this problem.
我，认为这是他所，存在的一个地方，纳博科夫正在沉思这个问题。 - So Nabokov imbues that state of impersonality with certain kinds of emotion and then asks the reader to be as impersonal as that modernist artist also must be.
所以纳博科夫用某些特定的情感，来营造非个人化的境界，让读者像现代主义艺术家那样非个人化。 - So, now, here's just a list for you: eight features of literary modernism that are all important to Nabokov.
现在我给大家一张列表，上面列举了八项对纳博科夫非常重要的文学现代主义的特征。 - But, Nabokov's relationship to this modernist past is not just the burlesque that he visits on Eliot, is not just this complicated attraction and dis-identification that he works on with Proust.
但是，纳博科夫和现代主义者的关系不只是，他对艾略特的滑稽模仿，也不只是和普鲁斯特，复杂的吸引和不认同。 - Now I want to contrast that with what we see from Nabokov in this essay, Good Readers and Good Writers.
现在我要把这和《好读者和好作者》这篇文章中，纳博科夫的观点做下比较。