The first part of this paper introduces the basic information of the extant ancestress temple by categorizing them and describing their characteristics. 文章第一部分介绍徽州地区现存女祠堂的基本情况并进行简单的分类和特征概括。
The second part is devoted to the origin and development of ancestress temple's names. 第二部分考求女祠堂的名字来源。
The third part explore the relationship between ancestress temple and the clan manners. 第三部分探讨女祠堂与宗族礼法之间的关系。
I was so carried away by joy and sorrow at sight of my little cousin. I forgot our Old Ancestress. I deserve to be caned. 正是呢!我一见了妹妹,一心都在她身上,又是喜欢,又是伤心,竟忘记了老祖宗。该打,该打!
Their daughter Harmonia is the ancestress of the unquiet dynasty of Thebes. 他俩生的女儿叫哈耳摩尼业,日后成为战火连绵的底比斯王朝的开国女祖。
"I don't need a wet-nurse any more, why should I keep an ancestress like this?" “如今我又吃不着奶了,白白的养着祖宗作什么!”
This paper investigates the ancestress temple in Huizhou area, aiming at discussing their statue and function in women's lives as well as their cultural connotations. 本文以徽州地区女祠堂为研究对象,力图探讨它在妇女生活中的地位与作以及它所包含的文化内涵。
This thesis probes into Byatt's historical consciousness from the perspective of the juxtaposition of the two plots in the novel, including relations between the past and present, relations between dead artists and modern scholars, and relations between the female and their ancestress. 本论文主要以书中两个情节的对照为切入点来探究拜厄特的历史主题,包括过去和现在的关系,已故艺术家和现代学者之间的关系,以及女性和先祖的关系。