arias
英 [ˈɑːrɪəz]
美 [ˈɑriəz]
网络 阿里亞斯; 阿里亚斯; 咏叹调; 亚斯; 歌剧咏叹调
BNC.29441
双语例句
- By the sound of it, there may be more arias in Mandarin than in Italian before too long.
鉴于此，不久之后将会有更多的中文咏叹调，而不是意大利语的。 - Can you pick out the operatic arias quoted in this orchestral passage?
你能听出这段管弦乐曲里有歌剧式的咏叹调吗？ - The Narrativity and Aria Taking Roberto Puccini's two opera arias for examples Comprehension Intoning Willow in the Poems Appreciate Classical Poesies about the Subject Matter of Intoning Willow
叙事性与咏叹调以普契尼两首歌剧咏叹调为例诗中咏柳知多少对咏柳题材古典诗歌的赏析 - Sayer: this is one of the most beautiful Arias ever written.
塞尔：这是一首写得最美丽的咏叹调。 - Many of the arias included parts by solo instruments: recorders, oboes, clarinets, viola d'amore, mandolins, that showcased the range of talents of the girls.
许多咏叹调包含独奏乐器部分，如直笛、双簧管、竖笛、提琴、曼陀铃可显示出女孩们的天赋范围。 - The jury reserves the right to listen to excerpts of the presented arias only.
评审拥有只听咏叹调片段的权利。 - The Teaching Research of the Four Arias in the Opera of "the Marriage of Figaro"
歌剧《费加罗的婚礼》中四首咏叹调的教学研究 - Angus: I suppose because they have all the best arias.
安格斯：我想，这是因为最优美的歌曲，都由高音演员唱吧？ - How many more Arias is he gonna sing?
还要唱几首咏叹调？ - Scratchy old recordings of arias blast across the dimly lit room, which is sparsely peopled by an attentive clientele, mostly solitary and often gay.
咏叹调的刺耳老唱片声音穿过了灯光昏暗的房间，里面稀疏坐着专心致志的客人，大多数独自一人，通常都是男同性恋者。 - The Narrativity and Aria& Taking Roberto Puccini's two opera arias for examples
隐性的遥契：《西厢记》与《伪君子》的叙事话语叙事性与咏叹调&以普契尼两首歌剧咏叹调为例 - The arias of Chaozhou opera include Tune, Dual Tune and Minor Tune.
潮剧的唱腔，包括曲牌、对偶曲和小调。 - The charms of Chaozhou opera are its crystal clear arias and exquisite tunes, which appeal to people in East Guangdong, South Fujian and countries in Southeast Asia.
独具韵味的潮剧唱腔清丽，做工细腻，深受人们喜爱，流行于粤东、闽南及东南亚各国。 - Assistant chanting is one of the characteristics of the arias of Chaozhou opera.
潮剧唱腔有一个特点：就是帮唱。 - In an exclusive interview ahead of the ongoing two sessions, Miguel Arias Canete also said the EU was "ready to work" with China to tackle global warming.
在两会前的一次独家专访中，米格尔·阿里亚斯·卡涅特也表示欧盟已做好准备，与中国协力应对全球变暖。 - Our article will thoroughly analyse the two arias.
本文对这两个唱段也做了详尽的分析。 - Part one discusses the evolution of the tonal and structure plan of the classical sonata form from the early binary and ternary forms, and the development of the 18~ ( th)-century sonata style in arias and solo concertos.
上篇探讨了古典奏鸣曲式的雏形二段式与三段式是如何具有了古典奏鸣曲式的调性布局和结构规划，并主要以咏叹调和独奏协奏曲为主探讨了18世纪奏鸣风格的发展。 - Second, three aspects of the two classical coloratura soprano arias in the Operas, i.e. the characters, musical structure and of singing skills will be analyzed.
第四章为歌剧《魔笛》中花腔女高音经典唱段的分析，同样从人物角色、音乐结构及演唱技巧等方面对两首歌剧中的花腔女高音经典唱段进行分析。 - There are many works has been popular arias, is not only a world concert stage to retain the tracks, is today in classical vocal music teaching materials.
作品中有许多至今仍被广为传唱的咏叹调，不但是世界音乐会舞台上的保留曲目，亦是我们今天声乐教学中的经典教材。 - Based on the classic Verdi opera several artistic features soprano arias, musical characteristics, treatment and concert singing should be noted problems in several aspects of research.
本文通过对威尔第几部经典歌剧中女高音咏叹调的艺术特征、音乐特征、演唱处理及演唱中应注意的问题等几个方面着手分析研究。 - Many of the arias Verdi opera is a vocal track learners aspire to sing, especially the soprano aria by the majority of vocal learners and those who loved singing, but also large-scale concerts and vocal competitions will sing the works will be selected.
威尔第歌剧中的许多咏叹调是声乐学习者向往演唱的曲目，尤其是女高音咏叹调深受广大声乐学习者和演唱者的喜爱，也是大型音乐会和声乐比赛中必唱必选的作品。 - Tian Yumei is protagonist in the play. She plays the major arias and drama in six scenes. It is worth of discussing how to play the role.
而田玉梅是该剧的主角，六场中均有重要唱段和戏份，因此如何塑造好田玉梅这一艺术形象是值得研究和探讨的。 - Taking the melody as the main clue of Bellini do system is elaborated, based on the art songs and arias two aspects to carry on the analysis of works, grasp the style of art.
本文以旋律为主要线索对贝利尼做系统阐述，通过对艺术歌曲及歌剧咏叹调两方面进行作品的分析研究，把握其艺术风格。 - The issues raised in this article in view of the above, demands on teaching contents of basic characteristics and basic principles, such as the Arias Foundation, teaching logic, such as time and artistry of.
本文针对上述所提出的问题，对教学内容提出了基本特征和基本原则的要求，如教学选曲的基础性、逻辑性、时代性与艺术性等。 - Three arias are with unique melody lines, a broad diapason, and rich concert and roles, which show the image of mezzo-soprano to the audience, and become a repertoire of a concert of a mezzo-soprano singer.
三首咏叹调以其独特的旋律线条、宽广的音域、丰富的内容和角色，将女中音的形象展现给听众，并成为女中音歌唱家音乐会的保留曲目。 - Among many works of Mozart concert arias in the proportion are second only to his opera.
莫扎特音乐会咏叹调在众多作品中的比重仅次于他的歌剧。 - The practical cases of arias and songs in the fourth chapter confirm the fusion and reference done by the author in the study of language, breathing, articulation and spoken parts of Dan in Yu opera and national singing art.
第四章通过大量唱段和歌曲的演唱实例来印证笔者在豫剧旦角演唱和民族唱法上在语言、气息、咬字、念白等方面的融合与借鉴。 - On singing characteristics, the author lays emphasis on specific articulation, enunciation, respiration, resonance, run-cavity and characters 'image. This provides the singer with literal guidance and inspiration on singing these four arias.
在演唱特点上，笔者侧重从具体的咬字、吐字、呼吸、共鸣、润腔及人物形象塑造入手，为演唱者演唱这四首歌剧唱段提供了文字性的引导和启发。 - The opera of arias works of the great classical-music master Mozart have been widely used in singing and teaching, such productions are fresh, classical, elegant and smooth, leave the valuable treasure to generations.
伟大的古典音乐大师莫扎特的歌剧咏叹调作品一直被广泛的应用在演唱与教学中，这些作品清新、典雅，音乐优美、流畅，为后世留下了宝贵的音乐财富。