Perhaps the first truly20th century composer, he prefigured the developments in atonality that would soon occur in Vienna. 德彪西也许是真正的第一个20世纪作曲家,他预见到了无调性音乐很快会出现在维也纳。
Ulti-analysis: Characteristics of Traditional Chinese Medical Syndrome of Myasthenia Gravis; The Rhythmic Features of Webern s Free Atonality Orchestral Work(ⅱ); 重症肌无力中医证候的回顾性调查、分析威伯恩自由无调性管弦乐作品中的节奏特征(下)
His articles are fixed in form and monotonous in content. atonal: Lacking a tonal center or key; characterized by atonality. 他的文章千篇一律,一个调调儿。无调性的,不成调的:缺乏中心旋律或主旋律的;以无调性为特征的。
The Rhythmic Features of Webern s Free Atonality Orchestral Work(ⅱ); 威伯恩自由无调性管弦乐作品中的节奏特征(下)
His early compositional style is often Romantic in character, while the middle period works lead to the atonality typical of his late music. 《前奏曲》作品一是齐玛诺夫斯基早期的钢琴作品,创作风格深受萧邦、华格纳以及德国后期浪漫主义的影响。
Schoenberg used atonality in the music of his middle period. 桑伯格在中期用无调性方式作曲。
He was also one of the few composers to bridge the gap between conventional tonality and atonality. 他也是少数一位能搭建常规调性和非调性桥梁的作曲家。
Theme Center of Arnold Schoenberg's Early Atonality 勋伯格初期无调性音乐作品中的主题中心
Arnold Schoenberg's early works of atonality, because of the structural functioning of missing of "tonality", can only keep unity by dint of" strengthened theme coherence ". 勋伯格初期无调性音乐创作,由于已失去“调性”这一深层结构力作用,因此只能借助“强化的主题一致性”来保证作品的有机统一性。
This paper focus on the two systemized and influential atonality theories, the symmetry theory and the picth class set theory. 本文以后调性时期中较为成熟并有较大影响的两种理论体系&对称理论与音级集合理论作为研究对象。
What he pursued the originality constantly, in melody, harmonic progression and texture on the body all to have the new music language, was the bridge for the development of atonality music. 他努力地追求独创性,在旋律、和声、织体上都有新的音乐语言,给无调性音乐的产生发展起了桥梁作用。
Was one of the compositions with the method of free atonality in 20th century. 1是二十世纪自由无调性手法作品之一。
Comparing with tonality theories and other mainstream atonality theories, to expose the characteristic of the theory and the status and significance in the western music theory history. 4. 通过与调性理论和其他主流无调性理论的比较,进一步展示这一理论的独特性,以及在西方音乐理论发展史上的地位和意义。