bazin
英
美
网络 巴赞; 巴钦; 硬红斑; 巴津; 巴辛
双语例句
- These are the montage Bazin on Criticism of the brief introduction.
以上是巴赞对蒙太奇理论批评的简略介绍。 - With Zhefan introduction, go about Bazin's theory of the long shot is more convenient
有了这番介绍，再去了解巴赞的长镜头理论就较为方便了 - From this point of view, Bazin critical theory to make the film lose its montage authenticity.
从这一观点出发，巴赞批评蒙太奇理论使电影丧失了真实性。 - Bazin did cultivated some brilliant directors, like Truffaut, his adopted son, that's why he was perfectly a inheritor of Bazin's theories of long-lens and realism in the film.
特吕弗就是巴赞的养子，因此他几乎是完整吸收了巴赞的长镜头理论、电影记录性逼真性的原则。 - The trend to a great extent has inherited and developed the neorealist spirit of Italian films and Bazin's cinematic concepts of realistic, ontology, asymptote of reality.
现实主义电影思潮在很大程度上继承并发展了巴赞的“写实主义电影观”、“影像本体论”与“现实渐近线”理论以及意大利新现实主义电影的精神。 - Starting from the discussion of Bazin's on-the-spot record theory, this paper mainly elaborates the aesthetic characteristics of on-the-spot record films and analyzes the new film form in the 1990s of the according to the aesthetic characteristics.
文章将巴赞的纪实理论作为讨论的起点，旨在阐述其所确立的纪实性电影美学的美学特征，并以之为参照，分析九十年代中国纪实电影的新的电影形态。 - The introduction introduces Bazin's resume, system of his theory and his status and significance in academic history and developmental history of the international movies briefly.
在引言部分，本文概要地介绍了巴赞的生平、理论体系以及他在世界电影理论史以及世界电影史中的地位与重要性。 - This article concerns about Bazin, the most important classical theorist, who influents film philosophy and aesthetics in Anglo& saxon and Europe deeply, in strickingly different way.
经典电影美学中最重要的理论家&巴赞在英美电影美学和欧洲电影美学中有着不同影响。 - Bazin was thought much of by the Chinese circles in this period. The articles on Bazin emerged on a large scale. In the preceding half period, praise was dominating among these comments.
这一时期是巴赞在中国最被看重的时期，有关他的研究文章纷繁涌现，前半期以赞扬为主，后半期以批判为主。 - There had been wide and deep studies on Bazin of the Chinese film circles for a long time.
长期以来，中国电影界对巴赞进行了广泛而深入的研究。 - Thus, after the death of Andre Bazin, he served as "Film Guide" editor in chief.
因此，在安德烈·巴赞去世后，他继任《电影手册》的主编一职。