capriccio

1. Strauss spent much of 1941 scoring his last opera, Capriccio
   施特劳斯用了1941年的大部分时间为自己的最后一部歌剧《随想曲》编写总谱。
2. Discusses Rhapsody the style and "a capriccio" correlation of the terminology.
   探讨狂想曲的风格与“随想”术语之关连性。
3. To resolve this conflict, teachers can try to open up for students a "private plots", to specifically address some of the students and the difficult class Capriccio
   为了解决这个矛盾，老师可以尝试着为学生开辟一块“自留地”，专门解决学生的一些课堂随想和疑难
4. The capriccio that I make be regarded as most.
   我搞的恶作剧算是最多的了。
5. In those years, as a young clarinet player, I improved myself very fast, after a practicing year, I can played capriccio.
   当年，作为一个年轻的单簧管乐手，我的进步很快，开始练习一年后就可以演奏德彪西的狂想曲了。
6. Geomantic omen and college building in mountain city& Creative work and capriccio with Yongchun Teaching College
   风水和山地学校建筑&永春师范建筑创作随想
7. Capriccio in the afternoon
   午后狂想曲
8. Why Study the Aesthetics Problem& The Capriccio Concerning the Study of Aesthetics
   为什么要研究审美问题&关于审美研究的随想
9. Going to the countryside Capriccio after Holding a Post in Russia
   去苏联到了俄罗斯
10. At the micro aspects: First, the paper is in the overall musical form structure analysis, and secondly, analyse the three "Capriccio" in a detailed in-depth from a harmony, musical form, modal tonal, melodic texture, rhythm and beat.
    在微观方面：首先，对三首《随想曲》的整体曲式结构进行分析，其次，从和声、曲式、调式调性、旋律织体、节奏节拍几个方面对三首《随想曲》进行详尽深入分析。
11. At the macro aspects: First, summarize creative background and intentions of the three "Capriccio"; briefly introduce the characteristics of Capriccio; and finally, briefly summarize features of the title music and no title music.
    在宏观方面：首先，对三首《随想曲》的创作背景和意图进行概述；其次，简要介绍随想曲体裁的特点；最后，对标题音乐与无标题音乐的特性作简要概述。

noun

1. an instrumental composition that doesn't adhere to rules for any specific musical form and is played with improvisation