One may sniff traces of that air in the Funhouse. 也许人们可以在开心屋中闻到这些气息。
Analysis of the Postmodernism Narrative Features in Lost in the Funhouse 《迷失在游乐场》中的后现代主义叙事特征
If you knew your way around in the funhouse like your own bedroom, you could wait until a girl came along and then slip away without ever getting caught, even if her boyfriend was right with her. 如果你在开心馆中跟自己在寝室里一样熟悉门道,你可以等一个姑娘前来,事后溜之大吉,绝不会被人抓住,即使她男朋友就在旁边。
Remember, this whole story takes place under the aegis of his alienation from himself. He's thinking about what he'd like to do in the funhouse. 记住,所有的故事发生在他自己疏离的,状况下,他在考虑在开心馆里他,要做什么。
Even so experimental a book as John Barth's Lost in the Funhouse is totally absorbed in the problem of what it would mean to write about yourself. 就算约翰,巴思的《迷失在游乐场》这么一部实验小说,也在专注一个问题,就是写关于自己经历的意义。
An Analysis of Metafictional Themes in Lost in the Funhouse 《迷失在开心馆》的元小说主题分析
But metafiction limits itself to the representation of problems concerned with fiction only. The coverage is rather narrow and the aspects it is related to are monotonous, which are the defects of Lost in the Funhouse. 但是元小说局限于表现小说自身,其覆盖面过于狭窄,内容有些单调,这也是巴思这本小说的不足之处。
Part one is a general introduction to the literary career and literary views of John Barth, with a survey of the content and critical responses to his novel Lost in the Funhouse. 第一部分简要介绍了作者约翰·巴思的文学生涯和文艺思想以及小说《迷失在开心馆》的主要内容和研究状况。