metafiction

noun

1. 元虚构作品（叙事时有意识让观众、读者等意识到虚构性的戏剧或小说等）
   a type of play, novel, etc. in which the author deliberately reminds the audience, reader, etc. that it is fiction and not real life

1. This article explores the relationship of them two, expecting to understand the meaning of historical narrative in the post-modernist historiography metafiction.
   本文探讨二者的产生和发展中的相互关系，期望得出史学性叙述在后现代主义历史编纂元小说中的意义。
2. Histrionic Personality in Postmodern Metafiction& By Taking John Barth's The End of The Road as an Example
   试论后现代元小说中表演型人格&以约翰·巴思的小说《路的尽头》为例
3. The Atomization of the Grand Narrative in Postcolonial Metafiction;
   后殖民超小说中宏大叙事的碎片化（英文）
4. The author probes the spirit of art implied in the 'game of text' from the viewpoints of narrative style, parody narration and metafiction narration.
   从故事讲述方式和叙述人称的游戏、对古老文本的戏仿和元小说写作探讨这种文本的游戏中隐含着的艺术精神。
5. While weaving the texts of his novels, John Barth uses the methods of metafiction, parody, and irony.
   在构筑这些小说文本的过程中，约翰·巴斯使用了元小说、戏仿和反讽的写作方法。
6. "The Presence of Author" Can Not Be Found in the Narrative in Metafiction
   论元小说叙事中作者出面的不成立
7. Anderson's Exploration of Metafiction in His Death in the Woods
   安德森的《林中之死》的元小说特征
8. At first many reviews of metafiction were negative, regarding it as self-indulgence and decadence characteristic of the exhaustion of artistic forms.
   这就是在六、七十年代的西方颇为盛行的现代文学流派，超小说。最初评论界关于超小说持否定态度，认为超小说是艺术形式枯竭的标志，是现代艺术家的自恋与自我放纵。
9. Metafiction is a revelation of the artificiality of fiction and this artificiality is indispensable with reality.
   超小说体现了小说的虚构性质，又与真实不可分割。
10. With the concept of polyphony, The article makes a new explanation of The French Lieutenant's Woman which was always regarded as a "metafiction".
    本文以复调理论对福尔斯的这部一向被视为元小说的作品进行新的阐释。
11. Metafiction in The Golden Notebook
    《金色笔记本》的超小说艺术
12. Metafiction also espels entirely the author out of text by fabricating "the death of author" and "the presence of author" aim to make narrative text more signified.
    无论是作者之死，还是作者出面，它们都有着相同的目的，这就是将叙事文本进一步能指化。
13. Metafiction at its best enables Barthelme to have created more realistic and convincing works, established a bond of intimacy between writer and reader and finally promoted the development of fiction.
    巴塞尔姆用超小说创作出了更能反映现实、更有说服力的作品，加强了作者和读者的亲密联系，促进了小说的发展。
14. On the other hand, she uses isolated institutions, open endings, and particularly, parodies of metafiction to enervate credibility of her stories.
    另一方面，她总是将故事发生的场景设置在荒僻封闭的角落，并且给故事一个开放式结尾，尤其是经常采用超小说的结构模式，让读者确认其作品的虚构性。
15. But metafiction limits itself to the representation of problems concerned with fiction only. The coverage is rather narrow and the aspects it is related to are monotonous, which are the defects of Lost in the Funhouse.
    但是元小说局限于表现小说自身，其覆盖面过于狭窄，内容有些单调，这也是巴思这本小说的不足之处。
16. Therefore, as a kind of fictional mode, Metafiction is worthy of studying by implying it in a certain literary creation.
    因此，作为一种文学模式的元小说是值得放在特定的文学作品中进行研究的。
17. Believing the narrative techniques of metafiction, limited point of view and fragmented narration have obscured the historical fact, it thus draws a conclusion that the impossibility of postmodern history writing is indicated in Libra.
    认为元虚构、有限视角和零散的叙述技巧模糊了历史的真实性，并得出结论，《天秤星座》这部小说体现了后现代历史书写的不可能性。
18. One is the preliminary and philosophical question of metafiction: the ontological status of fiction, namely, the relationship between reality and fiction.
    一是：元小说作为将自身作为表现对象的小说，首要的哲学问题是小说本体论的问题，即小说与现实的关系。
19. The whole novel presents a "story within a story" structure. This kind of complicated structure state is the result of the ending of metafiction and unreliable narration.
    整部小说的结构呈现出戏中戏的状态，这种结构状态得益于元小说结尾以及不可靠叙述等叙述策略。
20. In the past fifty years, Metafiction is one of the most noticeable fictional forms whose outstanding feature is that writers reflect on fiction creation by means of writing.
    元小说是近半个世纪以来最受关注的小说形式之一。它最突出的特点是作者在文学创作的过程中思考探索文学写作的创新，所以元小说被定义为关于小说的小说。