The Western voice is grounded in a very different place from where these people are singing from. The music is wonderful and it's a very rich chromatic score using traditional ideas of Chinese music, using a pentatonic scale and certainly the vocal lines are very traditional. 西式唱法和中国戏曲唱法的发声部位完全不同。配乐很棒,是非常丰富的采用传统中国音乐理念的半音音律,用的是五声音阶,而且演唱的部分也非常传统。
The common pentatonic scales can be derived in this manner, as shown below. 普通的五音阶起源于如下所示的方法。
The article outlines the formation and development of a pentatonic scale in ancient China. 本文介绍了中国古代五声音阶的形成与发展。
The melody in Chinese pentatonic scales is hard to compose, and it is more difficult to compose a real melody in Jiao Mode. 一般中国五声调式旋律难写,要写成一条真正的角调式旋律则更加困难。
Sometimes one or both notes of the tritone will be omitted from the scale altogether, which creates a hexatonic or pentatonic scale. 有时候三全音的一个或两个音调会一起从音阶中被忽略,这样就创造出了六音阶或五音阶。
So, it's a penta& what we call a pentatonic scale. 因此,它是一个所谓的,五,我们称之为五声的音阶。
Most traditional music by Pipa belongs to the pentatonic scale, and the speed is intermediate or slow. 琵琶传统乐曲大都是五声调式,速度大都是中速或慢速。
Creating national music with diverse pentatonic scales can embody ethical and local features. 我们要搞民族音乐创作可运用多种类型的五声音阶,这既有民族化,又有地方特色,是创作的好路子。
No matter how different the harmony effects produced by these different structures is, their basic starting point is the same, i.e., to harmonize its style with the national Pentatonic melodious style in the creation of professional multi-voice music. 无论这些不同的结构方式所产生和声效果有多大的不同,其根本出发点却是共同的&为了使多声部专业音乐创作中的和声风格与民族五声性旋律风格相协调。
Harmonic Methodology Based on Third-Studies on Pentatonic Harmony 三度结构的和声方法&五声性调式和声研究之一
The pentatonic scale in ancient China is a resource of national music, we should give more attention to its research and application and to create more favored works with good effect and rich national features. 中国古代五声音阶是我们民族音乐之源,我们应更多地研究它,运用它,以便创作出更多效果更好、含有丰富民族特色的受广大群众喜爱的音乐作品。
Notes on national pentatonic harmony Q& A on Sex 谈民族五声性和声
In this paper, the author attempts to deal with some of the specific issues on the handling of modal style-related harmony and elaborates the application of harmonic methodology based on third in pentatonic mode. 本文所主要讨论的,即是与调式风格相关的和声处理上的一些特殊问题,并阐述在五声性调式中应用三度结构的和声方法。
On Twelve-Tone Technique and its Application in Pentatonic 浅谈十二音技法及其五声化的应用
The Theory& the Practice on the Lateral Synthesis of the Same Keynote in Chinese Pentatonic Modes 中国五声调式同主音横向综合的理论与实践
Analysis of the Structure of Pentatonic Scale Chord and Its Characteristic Redivision in Use 五声性和弦的结构概念辨析及使用特性上的再分类
The pentatonic scale is not complex, but it enriches music with its four types. 原本五声音阶较为简单,但实际上它有着四种类型,这就大大地丰富了音乐的语汇。例如:广东的粤乐,它有着三种类型的五声音阶;
The formulaic character of melody is concluded by the musical scale, pentatonic modes Tonality and melody. 其中曲调程式性特征指从抚州采茶戏音乐的音阶、调式、调性及旋律形态等方面归纳出的具有规律性的曲调特征;
The analysis demonstrates that five strings 'pitch corresponding to the pentatonic scale originates to synthesis of three kind of the equal parts' theory on a string in the Western Zhou Dynasty. 分析表明,与五声相对应的五弦音高来自西周三种一弦等份取音法主要节点的综合。
As one of his works The forth concerto for piano could not be found in domestic, therefore, this article only focuses on his two piano works Piano Study on Pentatonic Scale and Five concert studies. 由于他的《第四钢琴协奏曲》在国内无法找到。因此,本文只分析他创作的两部钢琴教材《五声音阶钢琴教本》和《五首演奏会练习曲》。
The second part is analysis of Chinese composers 'exploration of alternating and far-relationship transfering of pentatonic tonality. 第二部分是分析在中国作曲家的作品中,有关五声调式交替、五声调式远关系转调方面的探索与实践。
From the music features, the pentatonic scale of the scale is the main characteristics of the commonly used single-mode, but also a Mongolian folk-style system common mode melodies turn of the development practices. 从音乐特征上来看,五声音阶是其主要的音阶特征,通常采用单一调式,但也采用蒙古族民歌调式体系中常见的调式交替的旋律发展手法。
The creation of professional Chinese multiple-voice begins with early 1920s. When the composers work on the music creation, they often adopt pentatonic notes on melody work. 中国专业性的多声部音乐创作,始于20世纪20年代初。作曲家在进行音乐创作时,在旋律的写作上往往会采用五声性音调。
The same as folk song in other area, pentatonic scale is also the base of Korean music melody. 同中国其它地区的民歌一样,五声调式音阶也是朝鲜族音乐曲调的基础。
How to combine the characteristics of pentatonic in teaching development of tonality is the difficult and important content in courses such as keyboard harmony, improvisation in colleges nowadays. 怎样结合我国五声调式的特点进行调性发展方法的教学,是我国高等院校音乐教育系科普遍开设的专业基础课程&键盘和声、即兴演奏(即兴伴奏)课程的教学难点与重要内容之一。
The mode of the Four Chamber is unified seven modes, pentatonic scale being the backbone. 这里的四腔调式是以五声音阶为骨干的七声羽调式,且调式统一。